Liverpool Sound and Vision Rating * * * * *

The mid to late 90s British music scene will perhaps always be dominated by the thought of a collection of bands to whom the world, in one way or another, idolised, venerated and almost single-handedly took all the glory, all the passion and much of the energy that would have been arguably better suited to groups, artists and song writers to whom deserved it so much more. The Man Who would, the woman who could, have served the attentions of the public better because there was nothing more than splendour in their music, no egos, no bitterness, just a serenade that was inclusive and deeply, melancholic, melody driven, assuredly beautiful.