Tag Archives: Theatre Review. Empire Theatre

Les Misérables, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Killian Donnelly, Nic Greenshields, Martin Ball, Katie Hall, Tegan Bannister, Bronwen Hanson, Harry Apps, Brian James Leys, Jordan Simon Pollard, Mary-Jane Caldwell Lee Ormsby, Jamie Birkett, Emma Warren, Jessie Hart, Megan Gardiner, Ruby Lyon, Helen Aylott Teleri Hughes, Eva Mairead Connor, Francesca Lidguard, Sadie Horwich, Sophie-Louise Dann, Ava Hope Smith, Lydia Jane Prosser, Eilish Mair Williams, Joseph Sheppard, Noah Walton, Dexter Barry, Leo Miles, Michael Burgen, Will Richardson, Aaron Pryce-Lewis, Shane O’ Riordan, Zac Hamilton, Danny Colligan, Ruben Van Keer, Keoni Blockx, Corrine Priest, Janne Snellen, Joseph Anthony, Nicholas Carter, Nicholas Corrie.

Richard O’Brien’s Rocky Horror Show, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Duncan James, Joanne Clifton, Ben Adams, Laura Harrison, Beverly Callard, Kristian Lavercombe, Miracle Chance, Callum Evans, Ross Chisari, Rees Budin, Shelby Farmer, Katie Monks, Jake Small.

It is the high point of excess and frivolity, the moment when counter culture rubbed shoulders with the inexhaustible and the merriment of cartoonish sing a long, producing without a doubt one of the finest pieces of musical theatre to see the light of day.

Rock Of Ages, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Danielle Hope, Luke Walsh, Kevin Kennedy, Lucas Rush, Zoe Birkett, Sam Ferriday, Rhiannon Chesterman, Andrew Carthy, Vas Constanti, Erin Bell, Alexander Day, Joshua Dever, Sinead Kenny, Adam Strong, Bobby Windebank, Saran Webb, Paris Green, Ryan-Lee Seager.

By The Waters Of Liverpool, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Roy Carruthers, Emma Dears, Stephanie Dooley, Lynn Francis, Emily Hughes, Maria Lovelady, Nathan McMullen, Mark Moraghan, Danny O’ Brien, Eric Potts.

If not for the glorious sweep of water, arguably the most beguiling and entrancing river in the whole of England, the city of Liverpool would not be same place, carry the same memories and influence its environment as it has since people first settled in the area; the songs, the stories, the lifeblood of the great city stems, ebbs and flows like a giant’s pulse because of the Mersey, and By The Waters Of Liverpool is where all our lives converge and become clear.

Wicked, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Helen Woolf, Aaron Sidwell, Kim Ismay, Steven Pinder, Emily Shaw, Iddon Jones, Charli Baptie, Emily Olive Boyd, Georgia Rae Briggs, Jason Broderick, Samantha Brown, Hannah Cadec, Grace Chapman, James Davies –Williams, Howard Ellis, Amy Goodwin, Daniel James Greenway, Jack Harrison–Cooper, Charlie Karlsen, Nicole Lupino, Stuart MacIver, Stacey McGuire, Sara Morely, Paul Saunders, James Titchener, Helen Walsh, Amy Webb, Luke Woollaston, Benjamin Yates, Amy Ross, Nikki Bentley.

Jersey Boys, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Michael Watson, Simon Bailey, James Winter, Karl James Wilson, Stephen O’ Brien, Joel Elferink, Mark Heenehan, Arnold Mabhena, Tara Young, Olive Robinson, Amy Thiroff, Dan O’ Brien, Peter Nash.

Musicians: Francis Goodhand, Tom Theakston, Sarah Burrell, Christian Sutherland, Iestyn Jones, Samuel Firsht.

There are many voices, lauded, passionate, full of life, that we hear every day, their songs enthral us, unite us, remind of what it is too feel, to be part of something bigger that we might believe ourselves to be. What we do forget though is the stories behind those voices, we forget as we listen to our favourite song or sit in the blissful memory of a tune that transports us back in time, that the songs came from somewhere deep and personal, that they are the product of a moment that is forever framed.

Grease, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating * *

Cast: Tom Parker, Danielle Hope, Darren Day, Louisa Lytton, Tom Senior, Ryan Heenan, Oliver Jacobson, Michael Cortez, Rhiannon Chesterton, Rosanna Harris, Lauren Atkins, Callum Evans, Gabrielle Williams, Alisa Davidson, Natasha Mould, Anthony Hughes, George Onley, Rory Phelen, Grant Thresh, Charlotte Coggin, Alessia McDermott, Anna Murray.

 

Sunny Afternoon, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 7.5/10

Cast: Ryan O’ Donnell, Marcelo Cervone, Victoria Anderson, Tomm Coles, Nathanial Campbell, Deryn Edwards, Andrew Gallo, Richard Hurst, Sophie Leigh Griffin, Garmon Rhys, Joseph Richardson, Robert Took, Michael Warburton, Libby Watts, Lisa Wright.

The Sixties was more than just the Stones and The Beatles, more than the burgeoning power of The Who, yet for some the Sixties only exists because of this, their immediate reference is to the three British bands from that era that truly went global and who played the American market as if was a child’s game. For groups such as The Small Faces and The Kinks the sound they produced was just as off the wall, just as intricate and finely woven in the fabric of society, it just seems to get lost in the flow of Time and the memories that some are willing to hold on to.

Chicago, Theatre Review. Empire Theatre, Liverpool. 2016.

Liverpool Sound and Vision Rating * * * *

Cast: Sophie Carmen-Jones, Hayley Tamaddon, John Partridge, Jessie Wallace, Francis Foreman, A D Richardson, Emily Warner, Waylon Jacobs, Lindsey Tierney, Ellie Mitchell, Nicola Coates, Francis Dee, Chelsea Labadini, Dann Kharsa, Justin-Lee Jones, Kerry Spark, Peter Nash, Adam Denman, Daniele Arbisi, Helen Siveter.

The Mousetrap, Theatre Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 7.5/10

Cast: Louise Jameson, Anna Andresen, Nick Barclay, Tony Boncza, Lewis Collier, Gregory Cox, Amy Downham, Oliver Gully.

Arguably Agatha Christie’s name will last in the annals of English Literature history as long as William Shakespeare’s and will always be as revered to her fans as the Bard of Stratford-Upon-Avon. It is easy to see why, the cold calculating pace of her mysteries, the beloved nature of two of her famous creations so entrenched in television’s grasp that they sell world-wide with ease and the secrecy installed in a play that might never see the light of day beyond the confines of theatre; it is to that end that Agatha Christie’s name will always be celebrated and whispered, the mistress of crime and the bogeyman all in one terrific role.