Liverpool Sound and Vision Rating * * * *
Cast: Bertie Carvel, Carlyss Peer, Richard Harrington, Sam Hoare, Margaret Clunie, Deborah Findlay, Dominic Rowan, David Hargreaves, Lara Cohen, Ezra Carlisle, Chris Robinson, Stuart Graham, Perry Millward, Alyth Ross, Carolina Main, Debbie Chazen, Francis Mezza, Conor Hinds, Shanaya Rafaat.
What passes for love can bring a person to their knees, and what love can destroy, so its darker emotional sibling, jealousy, can murder.
Liverpool Sound and Vision Rating * * * *
Cast: Gillian Anderson, Jamie Dornan, John Lynch, Bronagh Waugh, Niamh McGrady, Sarah Beattie, Aisling Franciosi, Emmett J Scanlan, Archie Panjabi, Stuart Graham, Gerard Jordan, Bronagh Taggart, Valene Kane, Richard Clements, Jonjo O’Neill, Kelly Gough, Orla Mullan, Colin Morgan, Ruairí Tohill.
The Fall of humanity is a precarious downward path and it can start with a single dominant voice whispering in the dark, it soft murmuring causing a fuse to blow somewhere and in which starts the domino like destruction wrought on society is one that should be investigated more and evidence found in which to support the afflicted in the future. What happens before then though can be seen a terrorizing game between two people and in The Fall that game is played out with the severest of consequences.
Cast: Luke Tittenson, Stuart Graham, Lewis Reeves, Michael Socha, Chris Mason, Hannah Britland, Paul Popplewell, Bobby Schofield, Sandy Batchelor, Anthony Schuster, Michael Peavoy, Andrew MacBean, Laurie Kynaston.
The second part of the B.B.C. series Our World War was one in which looked at the way the Battle of the Somme had an effect on the soldiers who fought in that bloody, unforgiving and devastating fight, especially two soldiers whose lives would become intertwined over the coming days of the offensive, Private Paddy Kennedy and Private William Hunt.
Liverpool Sound and Vision Rating * * * *
Cast: Luke Evans, Neil Maskell, Jack Roth, Bethany Muir, Martin Compston, Paul Anderson, Nicholas Murchie, Del Synott, Jack Gordon, Nigel Collins, Eliza Doolittle, Robert Glenister, Stuart Graham, Bill Thomas, Eric Hulme.
Those behind the 1988 film Buster should look upon The Great Train Robbery: The Robber’s Tale as a way to tell a story properly and without the large amount of buckets of whitewash in which to dip the carcass of post-war police work and the glamorisation of those involved in a crime that shook the very foundations of life in the U.K. already rocked by the scandal surrounding John Profumo and Christine Keeler.