Tag Archives: Siobhan Cullen

Dalgliesh: A Shroud For A Nightingale. Television Review. (2021).

Liverpool Sound and Vision Rating 8.5/10

Cast: Bertie Carvel, Jeremy Irvine, Helen Aluko, Alice Nokes, Eliot Salt, Robin Krostoffy, Alex Krostoffy, Beccy Henderson, Fenella Woolgar, Amanda Root, Siobhan Cullen, Richard Dillane, Avin Shah, Natasha Little, Syd Ralph, Lily Newmark.

We have come to think of the past as a rusting, decaying, and in many cases unnecessary distraction from the objectives of today, and the hope for the future that we all wish to witness, the new sense of puritanism that has come replete with cancel culture, of objectifying key moments and simply erasing them as if they didn’t happen, rather than confronting them and placing them in their appropriate modern day thought; that is the past not only rusting, but being corrupted in the same way that the workers of the Ministry of Truth changed details daily under the terrifying eye of Big Brother.

The Limehouse Golem, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Bill Nighy, Olivia Cooke, Eddie Marsan, Douglas Booth, Sam Reid, Maria Valverde, Daniel Mays, Henry Goodman, Adam Brown, Morgan Watkins, Damien Thomas, Peter Sullivan, Amelia Crouch, Simon Meacock, Siobhán Cullen, Keeley Forsyth, Mark Tandy, Michael Jenn, David Macey, Craig Thomas Lambert, Levi Heaton, Clive Russell, David Bamber.

 

Paula, Television Review.

Liverpool Sound and Vision Rating *

Cast: Denise Gough, Tom Hughes, Owen McDonnell, Siobhan Cullen, Sean McGinley, Aoibhinn McGinnity, Jane Brennan, Emily Taaffe, Ameilia Metcalfe, Jonny Holden, Edward MacLiam, Ciarán McMenamin, Aislin McGuckin, David Herlihy, Rachael Dowling, Marty Maguire, Dylan Breen, Gary Liburn, David Pearse.

 

It is infuriating when a drama on television cannot decide if it is one thing or another, especially when in theory the premise of the story is not bad, a light entertainment by the small screen and one willing to find a way to bring a necessary point of view to the adult conversation. Yet in Paula, the makers of the programme managed to make a perfectly good idea somehow unpalatable, degrading and almost thrown straight into the bin where all other nonsense is kept.