Tag Archives: Rosie Wyatt

Spine, Theatre Review. Playhouse Studio, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Rosie Wyatt.

It is the mantra of the age, everything has its price and everything is for sale. This diabolical hymn somehow has managed to include the voice of the angry teenager and the most ingenious of weapons, the written word, it somehow had diminished both to the same level of inconsequence, of being nothing more than the leftover in the three for a fiver bin or the silenced dream of the less than irritated willing to put on a tie and a suit and become a nodding dog filled with false outrage.

Inspector George Gently: Son Of A Gun. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Martin Shaw, Lee Ingleby, Lisa McGrillis, Jody Latham, Elizabeth Carling, Simon Hubbard, Danny Cunningham, Patrick Mcnamee, Annabel Scholey, Tom Hutch, Emma Lundy, Rosie Wyatt, Lucian Msamati, William Graham, Paul Hamilton.

 

For every generation must come a time when it watches those who will replace them with wonder, dread and in some cases frightened to death of what will happen to them and those not wishing to follow in their size nines. For those that lived through the Second World War and fought for the peace that was won afterwards, to see the actions of some of the young, untempered by the hardships and reality of fighting against an enemy that wanted to destroy you but who in turn wanted to sweep away everything that you had fought desperately for, must have been like watching a tidal wave of exhausting hatred and bile.

The Boy In The Stripped Pyjamas, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 7/10

Cast: Helen Anderson, Lisa Bird, Eva Bell, Andrew Bone, Ed Brody, Phil Cheadle, Kit Lessner, Marianne Oldham, Robert Styles, Eleanor Thorn, Rosie Wyatt, Javez Cheeseman, Colby Mulgrew.

Some pieces of literature are perhaps arguably not intended to be envisigned in anything other than cinema’s light, some perhaps are so sensitive that to try and show that singular emotion on the stage is to invite crass remarks and tactlessness in return.