Tag Archives: Ray Panthaki

SAS: Red Notice. Film Review.

Liverpool Sound and Vision Rating 5/10

Cast: Sam Heughan, Hannah John-Kamen, Ruby Rose, Andy Serkis, Tom Hopper, Tom Wilkinson, Owain Yeoman, Ray Panthaki, Noel Clarke, Anne Reid, Jing Lusi, Sarah Winter, Caroline Boulton, Richard McCabe, Douglas Reith, Dylan Smith, Attila C. Arpa, Aymen Hamdouchi, Grant Crookes, Tim Fellingham, Roderick Hill, Ty Hurley, Martin Angerbauer, Kevin Ezekiel Ogunleye, Karoly Baksai.

In the best laid traditions of James Bond, Her Majesty’s Government, and the Secret Services, it takes a psychopath to catch a psychopath, however the instrument of such bluntness is a cold steel walnut going up against a fragile glass hammer when it comes to penetrating the exterior of the film lover, especially when such a tale is presented without the humour of 007 or the best laid plan of a worthy adversary.

SAS: Red Notice. Film Review. full post

(565 words, estimated 2:16 mins reading time)

Official Secrets. Film Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Keira Knightley, Matthew Goode, Matt Smith, Ralph Fiennes, Rhys Ifans, Katherine Kelly, Indira Varma, MyAnna Buring, Kenneth Cranham, Jack Farthing, Tasmin Grieg, Hattie Morahan, Jeremy Northam, Conleith Hill, Hanako Footman, Shaun Dooley, Monica Dolan, Chris Larkin, Ray Panthaki, Clive Francis, Peter Guinness, John Heffernan, Angus Wright, Adam Bakri.

 

A Government not afraid of the possibility of its people rebelling against them is one that surely does not exist, for the very nature of Government is to lie through its teeth and sow discord under the banner of freedom. It is up to the individual of how much they can stomach, what lies they are willing to let stand and which ones they need to follow closely in the hope that they will be exposed, and which ones they might openly defy.

Official Secrets. Film Review. full post

(533 words, estimated 2:08 mins reading time)

Collette. Film Review.

Liverpool Sound and Vision Rating

Cast: Keira Knightley, Fiona Shaw, Dominic West, Eleanor Tomlinson, Jake Graf, Rebecca Root, Robert Pugh, Julian Wadham, Sloan Thompson, Arabella Weir, Mate Haumann, Ray Panthaki, Al Weaver, Virag Barany, Dickie Beau, Kylie Watt, Janine Harouni, Joe Geary, Aiysha, Denise Gough, Shannon Tarbet.

The voice of the lost author, the ghost writer, the one who lends their talent to a less than able conjurer of words is often overlooked by history because they are held in a manner of bondage, the current term of such branded captivity is that it is good for exposure, that the remuneration received is surely enough; whatever way you look upon it, regardless of the gender of the person involved, it amounts to the same thing, a literary captivity, the suppression of acknowledgement, of gilded slavery.

Collette. Film Review. full post

(483 words, estimated 1:56 mins reading time)

Marcella: Series Two. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Anna Friel, Jamie Bamber, Nicholas Pinnock, Ray Panthaki, Jack Doolan, Charlie Covell, Sophie Brown, Keith Allen, Nigel Planer, Jason Hughes, Victoria Smurfit, Peter Sullivan, Amy Dawson, Josh Herdman, Harriet Cains, Victoria Broom, Tamzin Malleson, Vivienne Gibbs, Andrew Tiernan, Lucy Speed, Michael Wildman, Clara Indrani, Yolanda Kettle, Asher Flowers, Imogen Faires, Aldo Maland, Oaklee Pendergast.

The mind is an impressive machine, capable of so much, of inspiring absolutes and able to conquer all with reason, the heavens, the stars and its surroundings, yet often it is missing the vital information required to see the whole picture, to grasp the data shown and act upon it accordingly and deal with life without breaking down, without feeling as though you’re losing your mind.

Marcella: Series Two. Television Review. full post

(492 words, estimated 1:58 mins reading time)

Marcella, Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Anna Friel, Ray Panthaki, Nina Sosanya, Nicholas Pinnock, Charlie Covell, Sinéad Cusack, Jack Doolan, Harry Lloyd, Tobias Santelmann, Jamie Bamber, Patrick Baladi, Ben Cura, Ian Puleston-Davies, Emil Hostina, Susannah Wise, Imogen Fairies, Laura Carmichael, Stephen Lord, Yasen Atour, Jasmine Breinburg, Florence Pugh, Nick Hendrix, George Barnes, Andrew Lancel, Maeve Dermody.

The art of the Noir is to keep the viewer or reader guessing long enough that they doubt their own verdict, their own deductive reasoning and to question further their own possible prejudices of one suspect or another. It is an art fully utilised by the writers of the series Marcella and one that really got under the skin as each episode progressed.

Marcella, Television Review. full post

(450 words, estimated 1:48 mins reading time)