Tag Archives: poetry from Liverpool

80 Dog Days Of Summer.

 

It could be viewed as a bucket list

romance, my eighty days

staring at you,

getting to know you,

understand you,

hate you,

love you,

be fond of you,

swear at the frustration you cause me,

gently run my fingers across you,

bash down when the right thought

does not come to mind,

hurt you, as you destroy me

become your mirror image, embrace you,

finally leave you be

as when the dog days of August

whimper in heat after snarling

The 1300 Year Instruction.

 

The rare writing on the Cornish slate

is older than the notion of England,

as it sits now in Tintagel Castle,

a display for the excited

and the learned to ponder over,

it’s meaning lost in Latin and ancient script,

but it must be gleaned in this land of legends,

of old Dumnonia and the last King of Dungarth,

that the script must only contain one message;

Do not put carrots in the pasties.

 

Ian D. Hall 2018

Crackling.

Roasted Hog,

basted and the cut, succulent,

dripping fat on the stoked

fires, upon which I feel

the burn

like flesh deposits crinkle

and leave me with crackling

on my back,

a taste of cooked meat

hangs in the air, sickly and putrid,

a cannibalised flesh, rotten

now from the inside out,

so bad that even a black fly stops and hovers

for a while and refuses to land,

no blue bottles, just maggots

upon my skin

today.

 

Ian D. Hall 2018

The Cruel Trick.

 

It is the cruelest trick,

to offer someone a future,

a second chance in which

to make things right

in their heart; this now is the path

before me,

a cruel trick played out,

a future denied,

and last night I tried to dream

but all I saw was the face

of the ideal and the possible,

taken away.

 

Ian D. Hall 2018

The Last Days Of Berlin.

 

Welcome…

…Here we are,

Ladies and gentlemen, and those to whom

we respect define as neither,

splash on a little make up and relax

for here we are in the last heady days of Berlin,

the days of Rome

before the Vandals

and Nero’s enigmatic solo

on a half strung fiddle, raise a toast

and see the world, frolic, dine,

take a picture of your neighbour’s dinner

and give it a groovy like, drop your pants

in excitement as low core porn

becomes a reality programme, and

As The Fire Lost Its Heat.

 

We spoke of the news

long into the night

and in time for the moon

to dance between the slits

of our blinds

and our once blinded opinions,

a coal fire dying slowly

and our lungs to breathe

in the remains of the dark day

that had passed,

huddled together

we spoke of the news

of the constant evil, of the never ending

criminal, corrupt, immoral

and natural disasters in which

deep down we crave, to satisfy

our longing for calamity, our need

Things I Don’t Talk About In Front Of The Lady With The Clip Board.

 

I just felt like

I should run away,

it is a familiar feeling,

one that has been a bleak guide,

this signpost of being in the way,

of offering nothing,

just a spot in the dark

where it would be easier

to overlook, easier to find solace

in the long walk to another

self-destructive path

where they cannot reach me,

for a while,

paved with painted stems of sunflowers along its edge,

bristling with imagined life, for there

I might stop seeing the faces

Silver Mime.

 

Silver shimmering ghost in spray painted

bowler hat, a mime formed

on Bradford Interchange Station

platform one, she moves,

feminine gestures, this quiet symbol on the streets

free to do as she pleases

when she believes nobody

is watching her satirise the unmoved;

a hand outstretched

she greets a pale pallor Parlour girl,

poor and wastrel, waif in bustles

and then as the train to York slides along

the platform edge, they depart,

quiet but moving; unspoken gestures of comfort

in their stony set faces.

The Curse Of Adapting.

 

I wrote a thousand words down,

mostly direction, some form,

all cloud and dust from a temper that rages

to be free, simple

and subtle substance of memory

adapting to a new place, released

by a new phrase, new belief,

and yet as I look upon this meagre world

where pseudo black ink

discretely blots out pages of snow

and ice bound though,

I cry a little, for it surely is all for nought.

 

Ian D. Hall 2018

Wherever You Were.

 

Wherever you were yesterday, know

for sure that I thought of you,

that I talked of you, that I hoped

beyond measure

that your day was respectable, that you

did something positive

for someone else and atoned perhaps

the storm you left me in,

the disrespect shown as you slid

into a dirty corner and withered

from my sight, of no contact, of no Time…

I would ask of you, to seek me out

one day and ask of me what your actions meant