Tag Archives: poetry from Liverpool

Ha, Laughs Life.

Life’s eternal joke;

kick you in the nuts

when you having a glimmer

of a nice day,

then acting as a sweetener,

a smile of lopsided joy,

allows you three numbers

on the lottery only

to remember what it is like when your

ship docks at the wrong port

and your ceiling comes crashing down.

Ian D. Hall 2018

Platform Eight.

Your train comes in at just after eleven,

slow pull up on platform eight

old friend, a memory calling

at stations in between, past towns

we never visited, houses

and farms we would never see inside,

closed curtains cutting out the view,

our life open to exposure, scenes from

a life cut open

and bleeding slowly

on platform eight.

 

Ian D. Hall 2018

For Schoolboy Yucks.

If for nothing other

than my own amusement

or schoolboy yucks,

may I implore,

or be so bold

to ask if the next body of gravel, dust

and surrounded by water

discovered in the world,

a sudden baby clump of Earth

driven out of the sea like Surtsey

in ’63, could be named

Noman…

 

Ian D. Hall 2018

Slapped Bass Treated With Love.

 

When I was a boy, you were one

of the men I wanted to be, punk attitude

wrapped up in a skin of pounding music,

and whilst I could not play bass,

or any type of instrument, I still wanted

that naked, fire driven approach, to be angry,

to dwell in me; mean, moody and magnificent,

a bad boy with a good heart, now I

watch you on stage and you slap your bass,

you treat it rough and I think

can I do that with words, a Kerouac love, mean

A Burnt Meadow.

 

And now the meadow’s black, burnt

to a cinders that will not

see the ball or the glitz and glamour

of the magazine, the photographer

squeezing out one more frame,

one more plea of pout baby, look

down the lens and think of England

as you smoulder and create electricity,

the meadow is black, corrupt, shameful,

shameless, the meadow primed for real

estate development to sell more dreams

of home ownership, till the banks come knocking

at the door, rat-a-tat-tat-tat-tat, economy

to scale, a large slug festering, dripping coins

Your Voice Still Roars.

 

Thirty years without you,

It has gone in a blink of an eye,

yet still, you remain, in my thoughts,

larger than life, the story man,

Adanac and the green painted door,

The Story Man, a ready tale

of heroism that I have tried,

and failed,

to live up to.

March 1st 1988, ironic to die

on a patron saint’s day, we all do

though I guess, have to pass

through the gossamer thin web and veil

eventually, it is though whether we

Snow Drift Angel.

 

The snow drifts silently down,

feather touch, soft and beautiful

against the flash of the camera

which lights up the scene in Sefton Park.

An everyday photograph of a park bench

in winter, deserted, surrounded by claustrophobic emptiness,

by time standing still and in the distance

a bell calls the man home, a clock

striking midnight, magic happens

in dark lonely places, as the man

pulls his coat tight around his snow covered shoulders,

and it wouldn’t be till the morning,

when the man returned to the scene

The House That Lost Weight.

Bin bags galore, lined up drunkenly spewing

the whiff of loaded down hoarding,

a symptom of the black I have been touching,

holding close, I want

to let go.

No council name or number

blazed across the thin plastic coating,

an advertising sign

coated in the decay of years

that the item inside has been lost

but holding ground, a black hole swallow

and burp now tied together with string,

a promise in the knot that this is the last time

I hold such antique thoughts and treasures

Graveyard Love.

 

Standing end on end in graveyards,

The near dead adorn their resting place

with words, with their sentence

of death inscribed

and dated, stamped, remembering the last time

they were thought of

fondly, with fingers quivering

with anticipation, their spines

still erect, still perfect,

but like anything that breathes life,

soon will fade, soon will lose their meaning,

their passion

as younger, more tempting words

are echoed and brushed against

closed dreaming eyes and the smell

of the new and intoxicating

…And I Set Fire To The Grass.

…and I set the grass on fire

out in the meadow

in the hope of raising smoke signals

so you might see my concerns,

you left me without defences, no timber

to build shelter, no army to stand alongside,

only hope that once the short fuse

was lit, that the grass grew black

and blazed for a second or two

before burning out

you might find the signal

as it melted away

into the clouds above.

 

Ian D. Hall 2018