Tag Archives: poetry from Bootle.

Daphne.

The scowl of your elevated Cornish brow

as you lean over the hard won typewriter

and understanding so much of the world

yet deferring

in part

to the men in your life,

that is how I always imagine you

Daphne,

A murderess I cling to

with hands gripped tight,

white knuckled and surrendering

my masculinity, a joke in your

once noble Gallic background,

this I gleaned from you,

I am poor

a servant in your house,

Only When You Are Dead.

They only tell you

when they hear

that you are dead,

just how much they love you.

The outpouring of grief on the streets,

The middle class avenues filled

with popular opinion and anguish

and in the houses of the fashionable

you get the sympathetic nod becoming of their understanding

and they hear the wails from the true believers;

they are unified when you die,

when the starlet fails to shine early one morning

or when the hero packs away his whip

one last time

She Had No Heroes.

She had no heroes,

no room in her life

for such romantic thought

or strength of feminine culture.

No heroes, not any more.

She swore off them, respect

whittled away

chip by whittled chip

and now the only hero

in her life

is the one who lives

in an imagined world

where She sleeps, catatonic

and death like; the hero arrives

faceless but frees her from her cell, her prison, her solitary

confinement.

There is no room for heroes,

for She will not relinquish the key.

I AM NOT A ZIMMER FRAME.

I AM NOT A ZIMMER FRAME

OR A LEANING POST…

Breathe easy, calm the old spirits and wheel

 gently away and leave the person

so in love with my handlebars

that they could not stop fondling them,

caressing with deepening fingers

or leaning so heavily upon them

that like an irate

and unwanted suitor

I was getting more aware of their

jiggling up and down and heavy handed

strokes as each moment passed.

It’s not that hard at the end of the day

Azure No More.

Nature reclaimed her

and now the window is no more,

a raging sky and sea

meet in the middle

and blur without the sense of Azure;

we live in the window frame

now and forever

as piece by piece,

the world crumbles

into the sea.

 

Ian D. Hall

Good Ol’ Robert Browning Misspelled Twit.

Misused, good old Robert Browning,

I had long forgotten his Pippa Passes

and this charming year of spring

as the cowl and the twat fight over centuries

old words before vulgar Americanism

gave rise to the populist non thinker

and easily offended.

 

Good ol’ Robert Browning, nobody

would dare call him a twit

except some repeated self serving survivor,

the Gobermouch, the misused Nun

who used to bellow my breath away

but now I see for the fool

and has no use for the jammiest bits of jam.

He Takes Photographs.

 

He takes photographs

of places

that I will never see,

he takes photographs

of doors that are crumbling,

its paint flaking off and carried

on the wind

to land on gravel paths and trampled upon

underfoot.

The masonry is cracking

and graffiti winds its way,

spray paint adoringly

in nature’s colours,

along to a point where it hides

the webs of cracked glass

and the solitary red van outside

The Slow Cull, At Their Hands.

It is the easy target,

not bullet proof

because we are the ones that carry

around our lives in your hands

and as you consider mass extermination

of the disabled, mass pariah

on a stake, a struck match

that flickers with the rhetoric

that comes out of your mouth, you

want us dead, the shame of memory, the cull

in place that says we cannot live,

despite it actually being the fault of

Government, of life, of life,

what life, you are

the ones who are sick, the cull

Clothing Satire.

My choice of clothes

is mine, I shall not

wear a suit,

suffer a tie around

my ageing neck,

I might stretch

to a cravat, but then

that would be ironic,

me to a tee, I would rather

be damned for wearing

a ballgown

than endure the ridicule

of looking like a soggy stuffed up

potato, full of misplaced

pride, no starch, no starch

at all, not stiff,

put me in a costume, let me be

in fancy dress, clown that I am

Wrinkles.

You were young and beautiful,

the long red hair, dyed

but not vibrant, not outlandish

or gaudy, just beautiful

which matched your eyes

in a playful, yet stern like feature, a Cleopatra

as she maintained order and brought

generals and leaders to their quivering knees;

you were beautiful and for a while

I was lost in your young eyes

dancing in alert fashion

on the way to Waterloo.

It was only as I went to leave

the bus that I noticed the old man,