Tag Archives: poetry from Bootle.

In Isolation.

 

Another turned down invitation,

one that wasn’t meant,

one that designed to encourage

one nodded at but underneath

the spluttering search for solitude

commences;

not that I want to be alone,

not that I crave to be isolated

and abandoned, it is just…

well easier to not be in people’s way,

to feel the cruelty of hope

of a conversation that didn’t switch

to feeling guilty, of opening up

about my fears and dreams,

dreams that are smashed with

the sledgehammer eyebrow raised,

The Crows Tear At Your Eyes.

 

They shall not bury them

in the alleyways they fall in,

the concrete just does not give

way to the simple spade like grass

and dusty earth, from mud we came

and when the first shots

of final rebellion come,

don’t get caught on open streets,

hard knocks, no grave where you fall,

left most likely to rot in the space

you met your end in,

crows tearing at your eyes,

crows tearing at your eyes;

they have no fear of you,

no open battle ground,

Just An Empty Sheet Of Paper.

 

If I leave a blank page,

If I should just leave the scab

alone, like me, not pick at it,

not to get my finger nail

underneath it and slightly

leave it looking off coloured compared

to the rest of the skin that surrounds it,

would that please you, would it make you

jovial, a feeling of being eight

clouds above me, far out of sight, spit down

to my eye and showing me the arse

you wish me to kiss, bare bottom

and needing a wipe,

The Woman In The City.

 

With my wife’s permission,

I spent the late winter Saturday evening

in the memory of embrace and arms

of my first love before

heading back home, cold feet

but undoubtedly a warmed heart.

I have neglected her, since she came

into money. For nine

and half long years I watched, hiding

my interest, trying hard

to forget just what this lady

in sheer blue had once meant to me.

I had loved her

when it seemed no one else would,

when she ragged, poor, shambolic,

In A Lonely Place.

In a lonely place,

where no one talks

and no one smiles,

no one calls,

no one knocks on the wooden panelled door,

the text alert stays silent,

the interaction on social media

reduced to the barest minimum

contact, more chance of Life

in the hereafter it seems.

A Twenty-First century death,

silent, tumble weed on screen

garners more interest,

just forgotten,

and the worst part is when you get used to it,

then the feeling of memory is taken from you.

Ian D. Hall 2017

The Over Critical View Of The School Nativity.

 

Greeted with a glass

of what seemed cheaply made,

home induced, egg nog

at the door of my daughter’s school

by a woman with dust marks on her hair,

and the strange smell of child nerves

upon her weighted down shoulders,

deeper in debt, demoralised

and now having to greet

parents to whom their child is the star

of this off Broadway, local authority show.

 

Small talk surrounds the close fitting

chairs, designed for the uncomfortable

advances of an ice cream pot for child sized hands

Winter At Home.

 

I promised myself

no more cold winters

stuck indoors

as I approached the autumn

years of fifty.

I promised with hand on heart,

a vow to my then hopefully older self

that by then, the words would have meant

something more, that the days

would be long and bright,

not sat under a blanket,

with two pairs of socks, a cardigan, long johns on

trying to keep my nose from freezing

and turning blue, choosing

between heating the house and eating a meal,

Arthur Askey’s First Curtain Call.

 

It is all about introducing children

to the delight of theatre,

thrill them with a funny

but beautiful tale at Christmas

when they are young, and in hope,

you will have them for life.

I was seven before I first saw my first panto,

played out for some reason

on my birthday and with Jimmy Edwards

and Arthur Askey on stage,

Hello playmates and bushy moustached Whacko

transferred from my bedside radio

to the grandness of the Birmingham Hippodrome,

my birthday, I needed to visit the toilet

Witches In High Heeled Shoes.

 

When I was a boy

I believed that witches

were real.

Even good ones.

The Witch in the Wizard of Oz

scared me,

the pointy shoes

and I cheered when Dorothy

and her friends

dropped a house on her

tired withered body.

I reasoned that good witches

could wear high heeled shoes,

all black, stiletto points

and daggers in the stamped down male foot,

when we didn’t behave.

Dorothy, I thought,

you can leave those witches be.

 

The Culmination Of The Great Ice Cream War.

 

English towns and cities,

grassy, curtain twitching villages

very little play Hamlets

seem so ordered and logical

in how they are named,

how they gained their identity,

Ox-Ford, seemingly self explanatory,

Ply-mouth, a river runs through it,

Birmingham, named after a great Norman,

Wallsend-

a future prophecy in which the great

Ice Cream Wars finally came to pass.

 

Ian D. Hall 2017