Tag Archives: Nigel Lindsay

Midsomer Murders: Dressed To Kill. Television Drama Review.

Liverpool Sound and Vision Rating * * * *

Cast: Neil Dudgeon, Nick Hendrix, Fiona Dolman, Annette Badland, Claire Hingott, Felix Kai, Tessie Orange-Turner, Stewart Wright, Nigel Lindsay, Baxter Westby, LJ Johnson, Sophie Stone, Ace Bhatti, Suzanne Packer, Nichola McAuliffe, Isabel Shaw.

Murder is a drag, but lying through your teeth about another’s illness to gain support for a holiday can be seen as a crime more personal; so Dressed To Kill, the last episode of the 23rd series of the addictive Midsomer Murders series would have you believe.

Midsomer Murders: Dressed To Kill. Television Drama Review. full post

(482 words, estimated 1:56 mins reading time)

The Capture. Television Review. Series Two.

Liverpool Sound and Vision Rating * * * * *

Cast: Holliday Grainger, Paapa Essiedu, Ben Miles, Lia Williams, Ron Perlman, Cavin Clerkin, Ginny Holder, Nigel Lindsay, Peter Singh, Lewis Kirk, Daisy Waterstone, Charlie Murphy, Indira Varma, Andy Nyman, Tessa Wong, Natalie Drew, Joseph Arkley, Harry Michell, Keira Chansa, Jack Sandle, Rob Yang, Joseph Steyne, Darren Bancroft, Angus Wright, Claire Price, Sam Hoare, Chris Corrigan, Ocean M Harris, Amy Conachan, Gemma Dyllen, Kammy Darweish, Bodhi Rae Breathnach, Cory Peterson, Archie Costelloe, John King, Bonnie Baddoo, John King, Christopher Torretto, Andrew Joshi, Sandra James-Young, Henry Goodman, Joanna Burnett, David Yip.

The Capture. Television Review. Series Two. full post

(553 words, estimated 2:13 mins reading time)

Six Minutes To Midnight. Film Review.

Liverpool Sound and Vision Rating 7/10

Cast: Eddie Izzard, Judi Dench, Jim Broadbent, James D’Arcy, David Schofield, Carla Juri, Kevin Eldon, Nigel Lindsay, Rupert Holliday-Evans, Bianca Nawrath, Maria Dragus, Celyn Jones, Tijan Marei, Franziska Brandmeier, Joe Bone, Richard Elfyn, Nicole Kelleher, Maud Druine, Andrew Byron, Luisa-Celine Gaffron, Juliet Hartley, Toby Hadoke.

We like to think children and teenagers have become more sophisticated and more adapt in understanding how the world works, that in the way they can overcome technology and hold their own in conversation regarding ideas, they, like their adult counterparts, are still as susceptible to falling for the charms of fanaticism of any political persuasion, that the words of rhetoric can just be as much a thrill when spoken with the voice of authority, as the soft coercion holds the beauty of poetry aloft.

Six Minutes To Midnight. Film Review. full post

(575 words, estimated 2:18 mins reading time)

James Bond: Thunderball. Audio Drama Review.

Liverpool Sound and Vision Rating 7.5/10

Cast: Toby Stephens, Tom Conti, Alfred Molina, Janet Montgomery, John Sessions, Lisa Dillon, James Callis, Josh Stamberg, Ian Ogilvy, John Standing, Janie Dee, Julian Sands, Nigel Lindsay, Matthew Wolf, Alan Shearman, Darren Richardson, Aaron Lyons, Simon de Deney.

A film that suffers under the weight of its writer’s history is one that finds itself developing the human disorder of duel personality, and whilst Thunderball is film that sparks the imagination, it also leaves the fan wondering how the series could hope to capture the brilliance of the previous film, Goldfinger.

James Bond: Thunderball. Audio Drama Review. full post

(454 words, estimated 1:49 mins reading time)

The Capture. Television Review.

Liverpool Sound and Vision Rating 9/10

Cast: Holliday Grainger, Callum Turner, Laura Haddock, Ben Miles, Barry Ward, Ginny Holder, Cavan Clerkin, Ron Perlman, Famke Janssen, Alexander Forsyth, Nigel Lindsay, Ian Pirie, Lia Williams, Paul Ritter, Daisy Waterstone.

The worn out old maxim associated with state surveillance that goes “If you don’t do anything wrong then you have nothing to be concerned about”, has been proven to be a falsehood that has been adopted by the untrustworthy and the cynical on both sides of the political spectrum as absolute mantra, a modern hymn in which to beat the masses into a behaviour pattern to which the instruments and threats of damnation could now only look upon as truly effective and a one true god.

The Capture. Television Review. full post

(441 words, estimated 1:46 mins reading time)

Dead In A Week, Or Your Money Back. Film Review.

Liverpool Sound and Vision Rating 9/10

Cast: Christopher Eccleston, Aneurin Barnard, Tom Wilkinson, Gethin Anthony, Freya Mavor, Nigel Lindsay, Marion Bailey, Emma Campbell-Jones, Velibor Topic, Carol MacReady, Marcia Warren, Nathalie Buscombe, Orion Lee, Eileen Nicholas, Cecilia Noble, James Kermack, Keir Charles, Tim Steed, Neelam Bakshi, Mark Penfold, Parth Thakerar, Ashton Henry Reid, Terenia Cooper.

There are themes within art that many find unsettling, they seek to disapprove and claim that such investigations into the world of the person seeking suicide for example as an answer to their problems and ills are mawkish, they believe it is a form of self-pity that should not be encouraged, dangerous perhaps and potentially threatening to society.

Dead In A Week, Or Your Money Back. Film Review. full post

(530 words, estimated 2:07 mins reading time)

Innocent. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Lee Ingleby, Daniel Ryan, Adrian Rawlins, Hermione Norris, Angel Coulby, Fionn O’Shea, Nigel Lindsay, Eloise Webb, Samuel Edward-Cook, Zahra Ahmadi, Hannah Britland, Christine Cole, Tony Gardner, Nicholas Asbury, Elliott Cowan.

To serve time, in any capacity, for a crime you didn’t commit; has to be arguably the most soul destroying, most seething with rage and contempt for your peers that you will ever feel, the emotions run high, the anger always at boiling point, and with no way to let off steam because you are locked away. The system, corrupt and dishonest, shakes your belief to the very core and no matter how hard it is to keep face, to show the world you are not beaten, the illusion of being Innocent soon slips away; society exacting its pound of flesh in revenge for the misdeeds you didn’t commit.

Innocent. Television Review. full post

(541 words, estimated 2:10 mins reading time)

Foyle’s War, High Castle. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Michael Kitchen, Honeysuckle Weeks, Charlie Archer, Rupert Simonian, Nick Cornwall, John Waterhouse, Rupert Vansittart, Ellie Haddington, Tim McMullan, Daniel Weyman, Paul Barnhill, Jeremy Swift, Jamie Winstone, Vincenzo Nicoli, Nigel Lindsay, John Mahoney, Madeline Potter, George Lasha, Mark Chatterton, Hermoine Gulliford, Amanda Lawrence, Joseph Drake, Neil Fitzmaurice, Marianne Oldham, Pip Donaghy, Ollie Hancock, Joe Simpson, Ludger Pistor, Will Keen, Sean Cernow.

Christopher Foyle’s war is never ending and post war Britain must be thankful that there was at least one honest man around who was willing to go up against so called authority in which to get to the absolute truth.

Foyle’s War, High Castle. Television Review. full post

(575 words, estimated 2:18 mins reading time)

Poirot, The Labours Of Hercules. Television Review, I.T.V.

Liverpool Sound and Vision Rating 9/10

Cast: David Suchet, Simon Callow, Morven Christie, Nigel Lindsay, Tom Chabdon, Tom Austin, Rupert Evans, Stephen Frost, Richard Katz, Sandy McDade, Nicholas McGaughey, Isobel Middleton, Fiona O’ Shaughnessy, Patrick Tomlinson, Tom Wlaschicha.

With the last ever set of detective stories being filmed for I.T.V. involving David Suchet as the indomitable Hercule Poirot, audiences could be forgiven for feeling as if they are saying a fond farewell to the Belgian sleuth who has graced the screens of the nation for the last 24 years. A farewell not born out of happiness but for the gracious way in which David Suchet has portrayed the man with honour in all that time and has for all intense purposes, been the embodiment of Agatha Christie’s greatest literary creation.

Poirot, The Labours Of Hercules. Television Review, I.T.V. full post

(425 words, estimated 1:42 mins reading time)

The Fear (Episode Four), Channel Four. Television Review.

Picture from Channel 4.

Liverpool Sound and Vision Rating * * * *

Cast: Peter Mullan, Anastasia Hille, Harry Lloyd, Paul Nicholls, Richard E. Grant, Demosthenes Chrysan, Dragos Bucar, Shaban Arifi, Julia Ragnarsson, Danny Sapani, Nigel Lindsay, Osy Ikhile, Sidney Kean, Lisa McAllister, Catherine Winter, Amarildo Kola.

Richard Cotton’s acclaimed television drama, The Fear, reached its final destructive conclusion whilst retaining the excellent writing from beginning to end and not entertaining the idea of slipping into the realms of outlandish fantasy. It is for this that the writer and cast must be applauded fully for giving a distinctive and sensitive portrayal of Alzheimer’s Disease and yet also giving a huge shot in the arm to a hopeful resurgence in the British Noir art form.

The Fear (Episode Four), Channel Four. Television Review. full post

(386 words, 1 image, estimated 1:33 mins reading time)