Tag Archives: Michelle Williams

Venom: Let There Be Carnage. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Tom Hardy, Woody Harrelson, Michelle Williams, Naomi Harris, Reid Scott, Stephen Graham, Peggy Lu, Sian Webber, Jack Bandeira, Olumide Olorunfemi, Scroobius Pip, Reece Shearsmith.

Despite the seriousness of the storyline, the undertones of institutional abuse and the outright red flags of cruelty, neglect and violence, Andy Serkis’ Venom: Let There Be Carnage is a romp, a graphic book large screen hybrid, a mutation of fine comedy underpinned by the gravity of murderous revenge.

Venom. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Tom Hardy, Michelle Williams, Riz Ahemed, Scott Haze, Reid Scott, Jenny Slate, Melora Walters, Woody Harrelson, Peggy Lu, Malcolm C. Murray, Dope Aluko, Wayne Pere, Michelle Lee, Stan Lee.

There was a time when Todd McFarlane’s name was as arguably huge as the house of Marvel itself, an artist who breathed new and exciting life into the company for his work on Spider-man and who brought into being one of the most dynamic, deadliest characters in the world to fruition. Todd McFarlane’s name deserves recognition and awe in the same breath as Stan Lee, Jack Kirby, Steve Ditko, Alex Ross and John Romita, a name that will undoubtedly endure and give graphic novel fans the chills when they think of one particular character above them all, that of Venom.

I Feel Pretty. Film Review.

Liverpool Sound and Vision Rating 5/10

Cast: Amy Schumer, Michelle Williams, Tom Hopper, Rory Scovel, Adrian Martinez, Emily Ratajkowski, Aidy Bryant, Busy Philips, Lauren Hutton, Sasheer Zamata, Angela Davis, Caroline Day, Anastagia Pierre Friel, Gia Crovatin.

When the message is absolutely spot on, when the meaning is clear and embracing and yet the scrawl of writing in which it appears dominates and without favour, you tend to forget the significance, the power of what is being said and instead you focus upon the negative. It is not right of course, it is unashamedly poor form to do so, but in the end being human is all we are, and whilst I feel Pretty is a laudable idea, noble even, the near cliched way it was handled leaves it as a film to be admired from a distance but avoided at all costs up close and personal.

All The Money In The World. Film Review.

Liverpool Sound and Vision Rating 9/10

Cast: Christopher Plummer, Michelle Williams, Mark Walhberg, Romain Duris, Timothy Hutton, Charlie Plummer, Andrew Buchan, Marco Leonardi, Giuseppe Bonifati, Nicholas Piedimonti Bodini, Guglielmo Favilla, Jonathan Aris.

The Greatest Showman. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zenaya, Sam Humphrey, Yahya Abdul-Mateen II, Keala Settle, Eric Anderson, Ellis Rubin, Byron Jennings, Betsy Aidem, Gayle Rankin, Fredric Lehne, Will Swenson.

Never let the truth get in the way of a good story, give it the three ringed circus appeal and dazzle the spectator with glitter, heartfelt illusion and a set of good numbers in which the audience is going to remember for a long time, add a sprinkling of stars in which to amaze and enthral and the final curtain that is raised upon the occasion, is sure to be a hit.

Certain Women, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * *

Cast: Laura Dern, Michelle Williams, Kristin Stewart, Lily Gladstone, James Le Gros, Jared Harris, Rene Auberjonis, Ashlie Atkinson, Guy Boyd, Edelen McWilliams, John Getz, James Jordan, Matt McTighe, Joshua T. Fonkalafi, Sara Rodier, Stephanie Campbell, Kilty Reidy, Marceline Hugot, Zena Dell Lowe, Kory Gunderson.

There is always a high expectation when it comes to some films, the anticipation in which well documented narrative might offer a new direction of thought in appreciation in how others live, how to see the world through the eyes of another might produce some much needed empathy in a world dominated by the fast, the furious and the often extraordinary; it is always a hope, one sometimes fulfilled, yet sadly, not many revelations are to gleaned in Certain Women.

Manchester By The Sea, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Casey Affleck, Michelle Williams, Lucas Hedges, Kyle Chandler, Gretchen Mol, Kara Hayward, Heather Burns, Anna Katerina Baryschnikov, Tate Donovan, Matthew Broderick, C.J. Wilson, Heather Burns, Erica McDermott.

People, like places, can hold their secrets for as long as possible, the strange ways in which a village ticks can also manifest itself in the way that a person’s mind can become; closed off, unable to deal with a certain moment in the past to the point where it just no longer acknowledges the Time ever existed, till it becomes hearsay, rumour, dismissed gossip in the next generation coming through.

Suite Française, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Michelle Williams, Kristin Scott Thomas, Matthais Schoenaerts, Sam Riley, Ruth Wilson, Margot Robbie, Harriet Walter, Eileen Atkins, Lambert Wilson, Tom Schilling, Clare Holman, Deborah Findlay, Eric Godon, Simon Dutton, Diana Kent, Juliet Howland, Nicholas Chagrin.

 

As the 21st Century grumbles on and the further we move away from the period of time in which our grandparents gave up on almost everything except hope, the more the apathy to maintaining the struggle against oppression grows more weary. In some cases it is possible to hear some people state out loud, “Shouldn’t we forget all this now?” Yet stories from the Second World War continue to surface and perhaps none more startling in recent years than that of Irène Némirovsky and her posthumously published unfinished novel Suite Française.

Take This Waltz, Film Review. (F.A.C.T. Cinema Screenings)

Originally published by L.S. Media. August 14th 2012.

L.S. Media Rating ****

Cast: Michelle Williams, Seth Rogan, Sarah Silverman, Luke Kirby, Aaron Abrahams, Raoul Bhaneja, Albert Howell, Dianne Flacks, Diane D’Aquila, Danielle Miller.

The leafy streets of Toronto don’t have that many films attached to it to make it a serious rival to New York in which to shoot feature films, the sense of history is not quite there. Instead of the usual camera shots of well-worn cliché ridden snippets of Central Park, coffee houses and exclusive apartments, Take This Waltz relied on the majesty of the Toronto skyline and the idyllic settings of Little Portugal and Lake Ontario. For that alone gives the film credibility as it strays away from the well beaten production North American film path.