Tag Archives: Liverpool

Blood Runs Deep, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Brandon McCaffery, Alice Merivale, Emma Vaudrey, John Schumacher.

It is the sins of the past that we inherit, perhaps shame gets sprinkled into the D.N.A., a dash of wickedness and a whole load of emotional turmoil, if we are fortunate it skips us, loses its power with each generation, and eventually the gene which causes us to contemplate such vile acts and misdeeds is eradicated.

Nightlife collective, SisBis, Book World-Renowned Mr Bongo To Play Alongside Giovanna And Sofie K for their first show at 24 Kitchen Street, Liverpool.

Still buzzing from their one-year birthday party, SisBis announce Mr Bongo at 24 Kitchen Street, Liverpool on Friday 23rd November.

Record label, record store, film label and DJs since 1989; Mr Bongo’s work is massively influential far and wide. The duo’s selections will include unexpected Brazilian, Latin, Soul, Hip Hop and Psychedelic sounds.

NTS resident and Manchester-based Sofie Ka’s wacky sound is distinctly nostalgic, blending dreamy psychedelic guitars with pumping italo and disco numbers. Over the past few years she has appeared alongside Jayda G, Powder, Donna Leake, Nosedrip, Jon K and more.

Fup, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Calvin Dean, David Mynne, Rachel Leonard, Jenny Beare.

Musician: Ben Sutcliffe, Zaid Al-Rikabi.

Falling in love is quite possibly the most beautiful, and most heart-breaking emotion, a human being can live through and endure, for some it happens easily, for others it is a long process which can only come about by first finding themselves, discovering their own sense of true-worth, whichever way it happens, love is, in the words of Liverpool’s Ian McNabb, a wonderful colour.

Persuasion, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Matthew Atkins, Ceri-Lyn Cissone, Siobhan Gerrard, Indigo Griffiths, Jason Ryall, Lucinda Turner.

In a past literary history that is dominated by men, many women stand above them for the sheer depth of human experience, the joy of wit, the penetration to the bones of fear and exploration of the subject; and whilst the names of Shakespeare, Charles Dickens and Tolstoy stand at the gates of greatness, it is too the scribes of women such as Charlotte Bronte, Agatha Christie and Jane Austen that we should acknowledge perhaps as the greater skilled writers and finer observers of the human condition.

A Taste Of Honey, Theatre Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Sharon Byatt, Sophie Coward, Chris Pybus, Jason Lamar Ricketts, James Templeton.

Adapting, or even directing, one of the modern theatre classics has always fallen somewhere between utterly compelling and deserved, and the brave choice which could be fraught with too high an expectation.

The Musical Box, Gig Review (2018). Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

People quite often think of silence as being damning, of largely falling into the zone of negativity and condemning, the muzzled contempt biting at the tongue and willing to spread the seed of discontent and slander when your back is finally turned. Too often silence is greeted with the look of lack of enthusiasm, and yet silence for a short while is the epitome of awe, the reflected understanding of what can pass for sheer majesty, the shock of beauty, the reverence of joy, silence is esteem.

Dan Owen, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Rating * * * *

A headliner’s duty is to make his presence felt, to set the seal on authority, and for Dan Owen the presence is so powerful that when a howling, brooding harmonica punches the audience with immediacy into Willy Dixon’s Little Red Rooster. It is evident to all those upstairs in Leaf that this sand-toned guitar and pounding stomp box have seen their fair share of theatres, blues bars and gig venues across Europe. One thing is for certain: Dan Owen is a truly relentless performer with a roots-shattering vocal that would make Gregg Allman blush.

O.M.D. And The Royal Liverpool Philharmonic Orchestra, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

To keep any art form locked inside its comfortable shell is to consign its soul to eventual oblivion. The masters of the painted value, its subject matter slowly fading under the pressure of light and Time, has to be eventually restored less it becomes invisible and a memory to others who would out on the flavour of the day, the poet seeks a fresher audience, a new way of delivery, the modern theatre audience wishes for nothing more than the view of the modern day in the classic; so too should music be constantly allowed to evolve, to hear a song of the listener’s youth be usurped in resolute re-evaluation keeps the songs fresh and beautiful.

When Did You Stop Dancing?, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Rachel McBride.

We find ourselves constantly developing ways in which communicate with those in our lives that we love, that we occasionally get frustrated with, and every so often cannot fathom why they became cross and upset with us; communication is key, but when we find ourselves in silence, when faced with no interaction, when all we have become is mark in the credit score of life, then we find ourselves looking for other ways to express our souls, even at the cost of our lives.

Harry Miller, Gig Review. Leaf, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

No performer should be afraid to lose themselves in the beauty of the epic; what is good for the unknown poet who scribed the tale of Beowulf, for the symphony of expression that encompasses Progressive Rock, is more than an illusion for us all, we can all claim to partake one way or another in the pursuit of the grand scale of song, of the art, few though readily rummage deep in the hearts to make it happen; no matter the subject, no matter the detail or the genre, the epic is a virtue which is lofty and sincere.