Tag Archives: Liverpool

Charlie Austen, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Occasionally life grants you a moment to look beyond the emerald veil, the eyes of the wizard looking down on you with kindness rather than mischief, a single glance at a performer who embraces a feeling of non-conformity but who has the range to delight and make music seem simple, honest and with just the right amount of poetry in their soul in which to open your heart to them.

Glenn Tilbrook, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

We are only human after all, and we can all be lured by the seemingly ripe berries of another bush but in the end we always return cap in hand and contrite to a love that remains undiminished, one that greets us with a broad grin, a smile that is enchanting and real, not one engrossed in delivering a plastic set of rules. Instead, one who will come out on stage and perform with natural ease that time doesn’t just fly in their company, it purrs like a finely tuned vehicle along crowded British streets and one that the driver is more than happy to show you every single point of interest along the way.

Live On Mars: A Tribute To David Bowie, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

You can attempt to capture the conscious of a king, you may have the ear of a president but for some the insistence that you cannot capture the soul of a Duke is the most sacred of idioms, the utmost of respects delivered, after all, the soul and image, the words and thoughts of a Duke are surely only ever realised when it comes from the mind of David Bowie.

King Crimson, Gig Review. Empire Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

There is no greater recognition of the art than that which reflects on its greatness, whilst looking at it from a different angle, of gaining a new perspective.

In an age where music is being redefined by the artist to include remixes, and in some cases what can only be described as adulterations, to the original cause, it is perhaps an idea in which can be seen as beautifully engaging, or arguably bemoaned by others as art for arts’ sake, and one that brought a new dynamic, an innovative flavour to the Liverpool Empire stage, as King Crimson brought their talent to an audience, which for many would have been their first live undertaking.

Gary Edward Jones: Something About Simon, Gig Review. Epstein Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

There is no such thing as the background, no place where silence can truly be the dominating factor, not when you are an artist. It matters not where the artist resides, their field, their chosen place of expression, what others may consider to be a place of no production, is in fact a factory of ideas being turned over, modified, refined, tested and worried over; just because you don’t understand the process in which the artist has to find that special muse, does not mean they aren’t being productive.

Queen Extravaganza, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Extravaganza is a large word to live up to, it holds an allusion in its embracing hands that few can seriously make peace with, that many fold under the pressure of pursuing, the sense of the spectacular image being torn down by the performer as the sentence and expectations of the public become downed by the realisation that nothing truly can ever top the bill to the point where baited-breath and eyes on stalks witnesses such majesty.

Kacey Musgraves, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

People make much of debut performances, the rite of passage which is seen as historic, the wish to not only enjoy at first-hand what the future may bring, but perhaps to deliver the knowing smile in homely company or at the places of work the thought that you were there to witness it.

Soccer Mommy, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Ration * * * *

It was arguably one of those nights in which it didn’t matter who the support act was, who broke the ice at the debut performance of Kacey Musgrave in Liverpool, the audience, understandably, could be seen to feel the rising tension of the long-awaited appearance of the Country superstar in their midst.

They Don’t Pay? We Won’t Pay!, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Lisa Howard, Steve Huison, Suzette Ahmet, Matt Connor, Michael Hugo.

We are living in a time of farce, a period of political instability in which nobody understands the game anymore, and which is unravelling to the point of embarrassing absurdity; if it wasn’t so frightening, so tragic, and with the constant concern of extremist views being able to sit at the same table as common decency and compassion, then it would be funny.

Robert Cray, Gig Review. Philharmonic Hall, Liverpool. (2018).

Liverpool Sound and Vision Rating 9/10

If life is offering you nothing but Blues, then without any argument or sense of guilt the only thing that should be done is too take in the performance of a true link between the golden heyday of Blues, and its natural platinum standard of the 21st Century, that of the ever graceful American, and passionate guitar player, Robert Cray; it is a performance that thrill the bones of anyone, Anytime.