Tag Archives: Liverpool Sound And Vision

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Jamie Hampson.

Jamie Hampson is currently part of the cast that is thrilling Royal Court theatre goers that have been going in their droves to see Fred Lawless’ latest monster smash hit A Nightmare on Lime Street. Originally from Halewood she was bitten by the acting bug before she hit her teenage years.

Having completed her training at the famous Liverpool Institute of Performing Arts (L.I.P.A.) she has gone on to become one of the rising stars of Liverpool theatre with superb performances in A Midsummer’s Night Dream, Macbeth and in Nicky Alt’s You’ll Never Walk Alone to her name. Multi-talented and enjoyable company, there is seemingly nothing that will stop this young actor becoming a house-hold name in years to come.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Jamie Hampson. full post

(1514 words, 1 image, estimated 6:03 mins reading time)

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Kaya Carney.

Kaya Herstad Carney is part of the tremendous band Science of the Lamps. Born in Norway, a six hour drive north of the Arctic Circle, she came to Liverpool to study at L.I.P.A. and graduated in 2003. Her band Science of the Lamps released a self-titled E.P. a few weeks ago and it has captured the imagination of all those have listened to it. I was able to catch up with this hugely likeable, talented and enthusiastic musician for a short while after one of her Threshold meetings at the Bridewell.

 

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Kaya Carney. full post

(1524 words, estimated 6:06 mins reading time)

Liverpool Sound and Vision: The Sunday Postscript, An Interview With Alan Stocks (Part Two)

Alan Stocks is one of Liverpool’s most easily recognised actors. His time in plays as diverse as Dead Heavy Fantastic, The Flint Street Nativity, Tartuffe and Scouse Pacific has made him a firm favourite with theatre audiences.

For the last few weeks he has been in the outstanding play by Joe Ward Munrow, Held, at The Liverpool Playhouse Studio Theatre with the superb Pauline Daniels and the inspiring Ged McKenna. Alan’s performance in the production is arguably the finest of his career to date. Alan will soon be seen in the musical Mam! I’m ‘Ere! at The Dome alongside Stephen Fletcher, Eithne Browne, Drew Schofield, Helen Carter, Rachel Rae, Paul Duckworth and Keddy Sutton.

Liverpool Sound and Vision: The Sunday Postscript, An Interview With Alan Stocks (Part Two) full post

(1758 words, 1 image, estimated 7:02 mins reading time)

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Alan Stocks.

Alan Stocks is one of Liverpool’s most easily recognised actors. His time in plays as diverse as Dead Heavy Fantastic, The Flint Street Nativity, Tartuffe and Scouse Pacific has made him a firm favourite with theatre audiences.

For the last few weeks he has been in the outstanding play by Joe Ward Munrow, Held, at The Liverpool Playhouse Studio Theatre with the superb Pauline Daniels and the inspiring Ged McKenna. Alan’s performance in the production is arguably the finest of his career to date. Alan will soon be seen in the musical Mam! I’m ‘Ere! at The Dome alongside Stephen Fletcher, Eithne Browne, Drew Schofield, Helen Carter, Rachel Rae, Paul Duckworth and Keddy Sutton.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Alan Stocks. full post

(1914 words, 1 image, estimated 7:39 mins reading time)

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Igor Memic.

Igor Memic. Photograph by Ian D. Hall.

For anyone who was fortunate enough to catch Igor Memic’s production of Happy at the Lantern Theatre this year, not only was it a first rate play designed to make audiences think but it was one of the finest moments in surreal escapism that crowd would have been privy to see during 2012.

Igor Memic is an enigma, driven and destined it seems to go on and make the theatre a place where his name will be seen for many years. Igor was born in Mostar, Bosnia to a Bosnian mother and Croatian father. It is this exotic mix, combined with a love of London and Liverpool that makes him an impressive figure to talk to.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Igor Memic. full post

(2012 words, 1 image, estimated 8:03 mins reading time)

Liverpool Sound And Vision: The Sunday Postscript, An Interview With Charlie Griffiths

For anyone who has caught Charlie Griffiths either on stage in one of her many theatre productions or hearing her sing as part of the duo Killa Sista, it is easy to see why so many critics and, more importantly, audiences love her. She has numerous credits to her name, her first television appearance in Children’s Ward at the age of 13 led onto other  television roles. Her love of theatre has seen her star in Road as Helen, the title role in Everyman, Emma in A Liverpool Tale and Gloria in Return To Forbidden Planet.

Liverpool Sound And Vision: The Sunday Postscript, An Interview With Charlie Griffiths full post

(1663 words, 1 image, estimated 6:39 mins reading time)

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Matt Breen.

Matt Breen of The Endings. Photograph by Ian D. Hall.

The sound of the station announcer’s voice at Liverpool Lime Street Station booms over the crowds making their way home after a hard day’s work in the city or as they pile in to the bars and music venues dotted around arguably the most vibrant city in the North of England. In amongst the organised chaos, the serenity of having a conversation with Matt Breen of The Endings about music, the band and being on the next step of his career is an oasis of calm.

Liverpool Sound And Vision: The Saturday Supplement, An Interview With Matt Breen. full post

(1106 words, 1 image, estimated 4:25 mins reading time)

Liverpool Sound And Vision: The Sunday Postscript, An Interview With Rio Matchett.

Rio Matchett. Photograph by Ian D. Hall

One of the joys of being in a city such as Liverpool is the abundance of theatres that cater for all tastes and for all actors wishing to tackle the well-trodden boards and add their names to the list of watched and admired artists.

Liverpool Sound And Vision: The Sunday Postscript, An Interview With Rio Matchett. full post

(1419 words, 1 image, estimated 5:41 mins reading time)

Liverpool Sound And Vision: The Saturday Supplement. An Interview With Dannielle Malone.

British playwright, Andrea Dunbar, wrote the sensational Rita, Sue and Bob Too! in the early 1980’s. It caused much controversy at the time as it played on the negative outlook of certain rundown council estates in the north of England and especially in her part of Bradford.  On the back of sell out performances at the St Helens Theatre Royal last year, the team behind the revival of the play have bought it back for another incredible run at the theatre.

Liverpool Sound And Vision: The Saturday Supplement. An Interview With Dannielle Malone. full post

(1560 words, 1 image, estimated 6:14 mins reading time)

Liverpool Sound And Vision: The Saturday Suppement. An Interview With Eddie John Fortune.

Eddie John Fortune is one of the new wave of Liverpool actors whose voice is being heard and his reputation enhanced by productions such as Elastic Bridge and Love Me Do (in which he portrayed the city’s legendry Brian Epstein.) He is in rehearsals for the new Keifer Williams play Tongues, directed by his dear friend Joe Shipman, and which will be coming to the theatre next year and in which he will act alongside one of his co-stars from Love Me Do, the impressive Charlie Griffiths. If that wasn’t enough for one man to be getting on with, he is developing his own stand-up comedy character Gwillam Dorey which is about a gay Welshman with a fatal attraction towards Glenn Close.

Liverpool Sound And Vision: The Saturday Suppement. An Interview With Eddie John Fortune. full post

(1209 words, 1 image, estimated 4:50 mins reading time)