Liverpool Sound and Vision Rating * * * * *
Cast: Martin Freeman, Adelayo Adedayo, Josh Finan, Emily Fairn, Warren Brown, Faye McKeever, MyAnna Buring, Mark Womack, Philip Shaun McGuinnes, Bernard Hill, Adam Nagaitis, Romi Hyland-Rylands, Matthew Cottle, Kevin Eldon, Shaun Fagan, Lenny Wood, Eithne Browne, John McGrellis.
Liverpool Sound and Vision Rating 7/10
Cast: Eddie Izzard, Judi Dench, Jim Broadbent, James D’Arcy, David Schofield, Carla Juri, Kevin Eldon, Nigel Lindsay, Rupert Holliday-Evans, Bianca Nawrath, Maria Dragus, Celyn Jones, Tijan Marei, Franziska Brandmeier, Joe Bone, Richard Elfyn, Nicole Kelleher, Maud Druine, Andrew Byron, Luisa-Celine Gaffron, Juliet Hartley, Toby Hadoke.
We like to think children and teenagers have become more sophisticated and more adapt in understanding how the world works, that in the way they can overcome technology and hold their own in conversation regarding ideas, they, like their adult counterparts, are still as susceptible to falling for the charms of fanaticism of any political persuasion, that the words of rhetoric can just be as much a thrill when spoken with the voice of authority, as the soft coercion holds the beauty of poetry aloft.
Liverpool Sound and Vision Rating * *
Cast: Kevin McNally, Robert Bathurst, Kevin Eldon, David Hayman, Mathew Horne, Timothy West, Tom Rosenthal, David Horovitch, William Andrews, Tracy Ann Oberman, Christopher Villiers, Simon Ludders, Sam Phillips, John Biggins, Julia Deakin, Jack Barry, Andrew Havill, Jerry-Jane Pears, Philip Pope, Gareth Ryan Benjamin, Tamzin Griffin, Lee Barnett, Thelma Ruby, Joann Condon.
The problem with nostalgia is that you have to judge perfectly whether it carries the same sense of perfection that Time has alluded to in your memory. There are few greater regrets than the one that is pushed forward by the emotion of fear, that the trepidation of losing something that has united a country in dark times can somehow lose its meaning when restored.
Liverpool Sound and Vision Rating * * * *
Cast: Jodie Whittaker, Bradley Walsh, Tosin Cole, Mandip Gill, Eleanor Wallwork, Kevin Eldon, Christian Rubeck, Lisa Stokke, Sharon D. Clarke.
Myths and legends are constantly interwoven with the fabric of life, it is in the race memory of us all which sees nursery rhymes as a constant source of bonding between parent and child, stories which captivate the memory with stringer force than anything we might read as adults. It is the fear of something other than perceived reality, of the existence of trolls and dark forests, of monsters and brave souls which we seek assurance from; it is the trepidation and the resolution of such stories which pave the way for all other stories to exist and take shape, the concern of what lies beyond the mirror’s reflection.
Liverpool Sound and Vision Rating * * * * *
Cast: Jaygann Ayeh, Reece Shearsmith, Rory Kinnear, Bill Paterson, Marcia Warren, Steve Pemberton, Hattie Morahan, Helen Monks, Tanya Franks, Kevin Eldon.
It is almost impossible to get anything 100 percent right in a half hour comedy, it needs so much to go according to plan, to hit every note possible and still have the conductor enough room to prise out just a little more from the lead and the passionate soprano on the edge of the stage.
Liverpool Sound and Vision Rating * * * * *
Cast: Kit Harington, Peter Mullan, Liv Tyler, Mark Gatiss, Shaun Dooley, Tom Cullen, Edward Holcroft, Robert Emms, Derek Riddell, Pedro Casablanc, David Bamber, Daniel West, Luke Neal, Luke Broughton, Philip Hill-Pearson, Richard Glover, Hugh Alexander, Simon Kunz, Fergus O’ Donnell, Â Thom Ashley, Sian Webber, Kate Wood, Sean Rigby, Beatrice Comins, Martin Lindley, Kevin Eldon, Robert Gwylim.
Liverpool Sound and Vision Rating 8.5/10
Cast: Kevin McNally, Katy Wix, Kevin Eldon, Robin Sebastian, John Culshaw, Robert Jack.
The beauty, pathos and reflection of Ray Galton and Alan Simpson’s writing can be seen fully in two of Britain’s greatest ever sitcoms, Hancock’s Half Hour and Steptoe and Son, both written with consideration and absolute wit, performed by comedic geniuses and with the knowledge that even after 60 years in the case of Hancock’s Half Hour, the words and situations are timeless, that no matter how much we move on in society, we still are products of the post Second World War generation.
Liverpool Sound and Vision Rating * * * * *
Cast: Kevin McNally, Robin Sebastian, Susy Kane, Kevin Eldon, Simon Greenall.
Two microphones stamped with the discerning, almost foreboding B.B.C. logo stand at the front of the stage and five perfectly placed chairs are to be seen in the background, the sense of occasion was already palpable, the sound of quite a number in the crowd already rehearsing under their breath the theme tune to perhaps the absolute master of British Comedy in the last 70 years and his sensational programme written by the only two men who could truly capture and harness his genius. This was not just any old event at the Edinburgh Fringe, this was one in which the spirit of The Lad himself, Birmingham’s Tony Hancock, was given a new voice in which to thrill the crowd all over again.
Liverpool Sound and Vision Rating * * * *
Cast: Kevin McNally, Kevin Eldon, Simon Greenall, Robin Sebastian, Susy Kane.
As arguably one of the finest British comedies to grace both radio and television celebrates the 60th Anniversary of the first episode, The First Night Party, being aired to the nation; Hancock’s Half Hour has suffered from the short sightedness of the time that many programmes and serials had placed upon them, the constraints of not being recorded and documented for future posterity.
Liverpool Sound and Vision Rating 9/10
Cast: Geraldine James, Neil Maskell, Fiona O’Shaughnessy, Adeel Akhtar, Paul Higgins, Alistair Petrie, Alexandra Roach, Nathen Stewart- Jarratt, Oliver Woollford, Kevin Eldon, Sylvestra Le Touzel, Michael Maloney, Ian McDiarmid, Paul Ready, Will Attenborough, Allan Corduner, Juliet Cowan, Keith Farnham, Candida Gubbins, Alex Lowe, Bruce Mackinnon, Gerard Monaco, Damien Thomas.
Utopia is never meant to be reached, if it was then Sir Thomas More completely missed the point as he wrote in praise to England before finding himself on the wrong side of a King’s wrath. Dystopia on the other hand is the easiest level of human attainment and for those on the run in Channel 4’s riveting series, Utopia, dystopia might actually be more preferable.