Tag Archives: Gig Review. Music Rooms

Kathryn Roberts And Sean Lakeman, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

The winter is behind us, from across the southern moor that acts a warning for what is likely to befall the unseasoned and weary traveller as they venture into England’s two remote counties of Devon and Cornwall, comes a sound of majesty, of the calling card of the Folk tradition and beauty that regales in tales lost and wars won; all with the testimony of the odd murder here and there which really lights up the room as the clocks steady themselves to bring nature and the wisdom of standing still together in a fashion of tranquillity.

Two Black Sheep, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision rating 9/10

Two Black Sheep at the Music Room in Liverpool. December 2018. Photograph by Ian D. Hall.

In an age of disagreements and conflict, of homogenous mingling and beige uniform, to follow your own path is to be admired, to insist upon your own space and not follow the herd is to be congratulated, to reject the conventional is respected; nothing and no one is truly identical in thought and deed. When it comes to Two Black Sheep, the tune they play is one consistently pure, so against type and yet one on which can count upon, to stir the chops and get the fans talking of the combination at the heart of the matter.

White Little Lies, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision rating 9/10

White Little Lies at the Music Room in Liverpool. December 2018. Photograph by Ian D. Hall.

Some meetings appear pre-destined, it is just a wonder that strikes us all who find such things fascinating, on what kept the magic from happening earlier. It is a magic that is young in its infancy and yet one that seems boldly to go beyond its formative binding with fans, an enchanting experience that Daniel Saleh and Vanessa Murray have both grabbed with eager thought and spirit and found in a world hell bent on the big fib and the posturing falsehood, that the best avenue in which to reside is in the truth of White Little Lies.

Thea Gilmore, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Christmas can either be an anathema to the soul, or if you are fortunate it can turn the winter period into one of joyous celebration, the message of spirituality, of throwing your life open to new experiences, of understanding that there is more to this time of year than materialism and personal gain, there is empathy, the freedom to sing, or to be silent, to listen at least to the sound of internal delight taking shape and the welcome poise of surrender to a heavenly guide.

Elfin Bow, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

Elfin Bow at the Philharmonic Hall’s Music Rooms. April 2018. Photograph by Ian D. Hall.

 

The Philharmonic Hall Music Room is a place where the song that lifts and lilts, that raises hope as well as the roof, is to be seen with a sense of honour and privilege, the dispensing of the day’s trials and injustice, the scream that builds up inside your mind, is let loose, carefully, gently, the kettle that could not stop whistling is reduced to silence and awe as musicians such as Elfin Bow take to the stage and perform their vigil to impart a subtle sense of well being and many a great song.

Kathryn Roberts And Sean Lakeman, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Photograph by Ian D. Hall

Tomorrow will follow today, to think otherwise is to take the only thing that matters in the world to many people from them, the belief of hope. Hope is the reason why so many of us get up in the morning, hope is the point of talking in vain to the nice girl who smiles, to listen to that song, to relish an evening out when everything about the modern world screams to stay inside; it is in hope that the live performance by an artist is one that will captivate you and keep you alive inside.

Ian Prowse, Gig Review. Music Rooms, Philharmonic Hall. Liverpool.

Liverpool Sound and Vision Rating * * * * *

Ian Prowse at the Music Rooms, Liverpool. July 2017. Photograph by Ian D. Hall.

High summer and the thought of many moments turn, the dog days of August are imminent, festival season sees the passion of music burning brightly in many a foreign field and all seems warm, all is O.K. with the world; yet the clock and the shadows have already turned, the gap between Summer’s praise and Winter’s embrace is noticeable and alluring and it turns the gig goer’s mind to the pleasure of the indoor gig and the intimacy it provides.

Seafoam Green, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

March always brings its own personal bluster and rage along with it, it is a month that dominates in many ways its environments and whilst January and February can be particularly cruel and deceitful, March verges on madness, on a tight spring, a vicious beast coiled up ready to pounce and knock you over with unexpected results. To combat the madness thrown up by a month which doesn’t believe in just standing still, in which rain and shine are intermingled like a bad marriage, some restoration of beauty and calm are needed.

Shine, Gig Review. Music Rooms, Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

All that was missing as the purity of Scottish voice and the sense of purpose that only two harps and a glockenspiel can bring to the abundant, almost feast like musical table, was the feeling of the Music Room at the Philharmonic Hall being transposed to the Scottish Highlands. It gives the feeling of a cold storm of rampant snow being trampled underfoot by majestic reindeer hoof and well stitched made shoe leather and shiny boot and the slight taste of acridity from the log fire burning within a castle wall with the same swell of passion as the three women who make up the fantastic band Shine.