Liverpool Sound and Vision Rating 9/10
Cast: Ewan McGregor, Mary Elizabeth Winstead, Johnny Harris, Leah Harvey, John Heffernan, Lyès Salem, Daniel Cerqueira, Björn Hlynur Haraldsson, Dee Ahluwalia, Fehinti Balogun, Anastasia Hille, Anna Madeley, Lily Newmark, Alexa Goodall, Jason Forbes, Billie Gadsdon, Penny Downie, Leah Balmforth, Gabriel Robinson, Damian Rozanek, Matilda Hunt, Rob Jarvis, Charley Palmer Rothwell, Paul Ready, Beau Gadsdon.
Liverpool Sound and Vision Rating 9/10
Cast: Ewan McGregor, Moses Ingram, Vivien Lyre Blair, Hayden Christensen, Rupert Friend, James Earl Jones, Kumail Nanjiani, O’Shea Jackson Jr., Indira Varma, Marisé Álvarez, Maya Erskine, Jimmy Smits, Grant Feely, Flea, Joel Edgerton, Bonnie Piesse, Simone Kessell, Ian McDiarmid, Anthony Daniels, Liam Neeson.
Ewan McGregor’s time as Obi-Wan Kenobi always seemed short and one that arguably carried, alongside Ian McDiarmid as Emperor Palpatine, the prequel trio of films that framed the Star Wars franchise to a place where the maligned nature and often heavy-handed criticism is thankfully overlooked.
Liverpool Sound and Vision Rating 7/10
Cast: Margot Robbie, Rosie Perez, Mary Elizabeth Winstead, Jurnee Smollett, Ewan McGregor, Ella Jay Basco, Chris Messina, Ali Wong, Derek Wilson, Joe Buraco III, Steven Williams, Charlene Amoia, K.K. Barrett.
The comic book became darker, it turned away from the quirky but loved offspring of the three or four picture strip that embedded themselves in the newspapers of the thirties and forties and in turn gave itself the new self-determined title of the Graphic Novel, and to the rejoice of the reader who immersed themselves into the world of D.C., Marvel and other purveyors of tales of suspense and disbelief, that they were no longer to be seen as people to be scorned or mocked, that in that name change, a commanding of respect was delivered.
Liverpool Sound and Vision Rating * * * *
Cast: Ewan McGregor, Rebecca Ferguson, Carel Struycken, Jacob Tremblay, Emily Alyn Lind, Zahn McClarnon, Cliff Curtis, Bruce Greenwood, Chelsea Talmadge, Alex Essoe, Carl Lumbly, Joclin Donahue, Catherine Parker, Seleena Anduze, Kyliegh Curran, Robert Longstreet, Nicholas Pryor, Bethany Anne Lind, Kaitlyn McCormick, Marc Farley, Molly Jackson, Kk Heim, Zachary Momoh, Roger Dale Floyd, Shane Brady.
Liverpool Sound and Vision Rating 9/10
Cast: Ewan McGregor, Hayley Atwell, Bronte Carmichael, Mark Gatiss, Oliver Ford Davies, Ronke Adekoluejo, Adrian Scarborough, Roger Ashton-Griffiths, Ken Nwosu, John Dagleish, Amanda Lawrence, Katy Carmichael, Orton O’ Brien, Tristan Sturrock, Jasmine-Simone Charles, Paul Chahidi, Simon Farnaby, Mackenzie Crook, Jim Cummings, Brad Garrett, Nick Mohammed, Peter Capaldi, Sophie Okonedo, Sara Sheen, Toby Jones.
It is, with hindsight, easy to suggest that humanity in the 20th Century lost its way, that we as a collected species lost our wonder and our innocence to a new way of thinking, a rational that arguably had its genesis in the self-imposed, stiff upper lipped facade philosophy created by the Victorians and to which even now has eaten away at our ability to forget the dreams we had as children and the wondrous stories we could weave.
Liverpool Sound and Vision Rating * * * *
Cast: Ewan McGregor, Carrie Coon, Mary Elizabeth Winstead, Goran Bogdan, David Thewlis, Michael Stuhlbarg, Shea Whigham, Scott McNairy, Andy Yu, Mark Forward, Olivia Sandoval, Russell Harvard, Mary McDonnell, Hamish Linklater, Scott Hylands, Graham Verchere, Linda Kash, Caitlynne Medrek, Sylvester Busch, Thomas Mann, Fred Melamed, Riger V. Burton, Rob McElhenney, Francesca Fisher, Nikolai Nikolaeff, Ray Wise, D.J. Qualls, Billy Bob Thornton.
Liverpool Sound and Vision Rating 7/10
Cast: Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Hattie Morahan, Haydn Gwynne, Gerard Horan, Ray Fearon, Ewan McGregor, Ian Mckellen, Emma Thompson, Nathan Mack, Audra McDonald, Stanley Cadenza, Clive Rowe, Adrian Schiller.
Heralded as one of the great Disney classics of all time, Beauty and the Beast is a scintillating tale of compassion over anger, of love over objectivity and quite rightly has become engrained in the heart of those who have taken its message of purity and simplicity against force and prejudice to its true place in the psyche; love conquers all they say and yet sometimes love is not quite enough to warrant taking a much loved animated film and turning into a live action feature, sometimes love just isn’t enough.
Liverpool Sound and Vision Rating * * * * *
Cast: Ewan McGregor, Robert Carlyle, Ewan Bremner, Jonny Lee Miller, Steve Robertson, Shirley Henderson, Kelly McDonald, Gordon Kennedy, Anjela Nedyalkova, James Cosmo, Katie Leung, Thierry Mabonga, Scot Greenan, Irvine Welsh, Pauline Turner, Eileen Nicholas, Kyle Fitzpatrick.
Liverpool Sound and Vision Rating * * *
Cast: Ewan McGregor, Damien Lewis, Naomi Harris, Stellan Skarsgård, Mark Stanley, Alicia Von Rittberg, Mark Gattis, Jeremy Northam, Saskia Reeves, Alec Utgoff, Pawel Szajda, Khalid Abdalla, Grigoriy Dobrygin, Velibor Topic, Dolya Gavanski, Radivoje Bukvic, Marek Oravec.
It is only right that John Le Carré’s work is still seen as being amongst the finest of post Second World War espionage and spy fiction, from the remake of Tinker, Tailor, Soldier, Spy to the hit television series Night Manager, John Le Carré’ is revered and respected, yet somewhere along the line that blurs one ideology from another, an author’s work can be muddled when adapted by another for the big screen; it is a fate that awaits what should be a good interesting film, Our Kind Of Traitor.
Liverpool Sound and Vision Rating * * *
Cast: Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich, Boyd Holbrook, Rodrigo Santoro, James Burnett, Sam Quinn, Maisie McMaster, Jenny Gabrielle, Alex Manette, Piper Sheets, Celia Kessler, Linda Martin.
It seems the old west is becoming more flavoursome once more, it certainly has had a lot of time to find its niche market again and thankfully move away from the tired and almost disgraceful, fetish like voyeurism of the 1950s and 60s in which generations of cinema goers were treated to the version of events that depicted the wars and slaughter of native Americans and their European invaders. The old west now seems to venture into more realistic territory and yet occasionally it can blow its own trumpet too hard and offer a film that just doesn’t fit in either camp; it is neither truly awful nor astonishingly good but nevertheless it still is a piece of artistic interpretation worth exploring.