Tag Archives: E.P. Review

Ragnhild Nordset, Sleepdancing. E.P. Review.

Liverpool Sound and Vision Rating 9/10

When the news filtered through the North West press and bars that hosted music evenings in which Ragnhild Nordset frequented that the Norwegian musician was going to be leaving Liverpool, a place where she had become a firm favourite of the acoustic folk scene because of her tantilising voice, absolute sincere personality and incredible musicianship, there would have been no surprise that there would have been petitions made to keep this talented woman in the city and keep performing for the fans. Some people are meant to fly free though and if by returning to Nordic shores the creativity that was always there, flourishes even more then woe betides anyone who stands in her way.

Me And Deboe, E.P. Review.

Liverpool Sound and Vision Rating * * * *

There is something tantalising about the way a musical duo can be in so in tune with each other, that when it’s done well it’s as close to perfection as you can expect it to be. American Folk act Simon and Garfunkel showed this from the very beginning of their career, Alison Moyet and Vince Clarke of Yazoo perfected in the 80s Electronic era as did the Eurythmics and the sensational Everything But The Girl. Even when the music is not coming from a natural duo such as Liverpool’s Ian McNabb and Ian Prowse or Mersey Wylie and Dave O’Grady, the music they generate, the feeling they inspire is nothing short of impressive.

Anna Corcoran, Anything Better. E.P. Review.

Liverpool Sound and Vision Rating * * * *

There is a moment, a second of time about a minute into the first track of Anna Corcoran’s E.P., Anything Better, where you realise you are not just listening to a woman so adept at her piano but that she also writes incredibly evocative lyrics. She sings them with such a big smile upon her face that she is instantly transformed from another talented woman from Merseyside to somebody who is musically attainable but also unbelievably excellent at providing a narrative that crushes any resistance you might be able to put in her way.

Steelesque, Johnny On The Spot. E.P. Review.

Liverpool Sound and Vision Rating * * * * ½

The steel cities that are divided by an ocean both have seen rough times and an industry that was decimated beyond recognition. Whereas Sheffield found solace in in burgeoning pop scene of the 1980s with the likes of The Human League, A.B.C. and Heaven 17, Pittsburgh, once rightly called the power house of America and the home of the great Pittsburgh Penguins now has a band to look up to and salute in the same way as the great Anti Flag.

Phoenix Of Avalon, Reborn. E.P. Review.

Liverpool Sound and Vision Rating * * *

Phoenix of Avalon may not be a name that is well known in Liverpool just yet but on the back of their debut E.P. it surely won’t be long before the name of the band and the two members, Stephen Redfern and David Connor, are more common place.

Although bands such as the Wirral’s The Guardians and Mashemon have a huge head start in their respective journeys as the foremost young bands in the Liverpool area, the debut E.P. by the group, the tantalisingly titled Reborn, shows the band have much promise in their own material. The songs flow in the best possible way and on the songs Battle of Fallen Angels and Letters To No One, the ferocity of the lyrics are matched well with the beating heart that the music provides.

Maschemon, Various Propositions. E.P. Review.

Liverpool Sound and Vision Rating * * * * *

It seems that not only is Mashemon’s live sound something superb to behold but they can also carry that same sense of illicit strength into the studio also. Their latest E.P. Various Propositions has all the hallmarks of something that should be shouted from the top of the Liver Building with passion.

Ashbury Keys, Wake Up. E.P. Review.

Liverpool Sound and Vision Rating * * * *

The gentle refrain of well observed lyrics and well played music is not a usual thought when people think of Texas or its arts side. Although Pantera and Bowling For Soup, arguably two of the better known bands that British audiences will be aware of, divide music opinion, one with their own particular brand of Thrash Metal and the other for their party driven image, they still have a considerable following.

Galloway, Culbert and Doyle. E.P. Review.

Liverpool Sound and Vision Rating * * * *

For lovers of traditional English folk music, there is a new name to get to grips with that has emerged from the halls of the University of Liverpool. The University may not be the first name that comes to mind when thinking of this genre of music, more known for almost every facet of composition available, traditional folk barely gets a mention. However in Galloway, Culbert and Doyle the scene has a new champion and their self-titled E.P. is an expression of all that is good in the youthful playfulness they exude.

Science Of The Lamps, E.P. Review.

Liverpool Sound and Vision Rating * * * *

There is something unerringly beautiful about the music of Science of the Lamps. Almost mythical in its presentation, stunning in its creation and just that pinch of Nordic noir/folk fairytale that filters through and gives the eponymous E.P. the type of storytelling and poetic mixture that craves attention.

Alexx Calise, AC3. E.P. Review.

Liverpool Sound and Vision Rating * * * * *

Alexx Calise, the Californian based musician whose life is as interesting as her music is wild, enthusiastic and stunning, has released her new E.P., simply titled AC3 and as usual her dedication to her music is nothing short of outstanding.

With two solo albums behind her and to much critical acclaim and an absolute belter of a recording with Dennis Morehouse for the Sound of Cancer album Vampires in Gilroy, there could have been a lot of intense pressure on Ms. Calise to go even further than before and go off the scale.