Tag Archives: Bessie Carter

I Hate Susie Too. Television Review.

Liverpool Sound and Vision Rating 8.5/10

Cast: Billie Piper, Daniel Ings, Leila Farzad, Matthew Jordan-Caws, Lorraine Ashbourne, Phil Daniels, Douglas Hodge, Blake Harrison, Elle Piper, Katy Trafford, Bessie Carter, Layton Williams, Omari Douglas, Reza Diako, Gary Lamont, Jolyon Coy, Ayesha Antoine, Angela Sant’Albano, Yasser Zadeh, Tobi Ejirele, Emmanuel Kome, Fred Fergus, Anastasia Jille, Peter Caulfield, Jude Mack, Elijah W Harris, Bea Svistunenko, Craig McCulloch, Lucy Martin, Sandra Huggett, Ambika Mod.

It is perhaps to be thankful that for the vast majority of us, someone like Suzie Pickles is but a figure to whom we might only come across when we are confronted with when they make a bee line to inject concern and chaos into our lives.

I Hate Susie Too. Television Review. full post

(506 words, estimated 2:01 mins reading time)

The Good Liar. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Helen Mirren, Ian McKellen, Russell Tovey, Johannes Haukur Johannesson, Jim Carter, Mark Lewis Jones, Lily Dodsworth-Evans, Phil Dunster, Michael Culkin, Laurie Davidson, Celine Buckens, Dino Kelly, Aleksander Jovanovic, Stella Stocker, Nell Williams, Bessie Carter, Patrick Godfrey.

In a world looking for companionship and love, the warning of not trusting those who advertise on-line has perhaps never been more acute, more relevant. The older we get, the more it is possible to see the depth of our footprints in the sands of time and for those who might take the plunge in holding a hand out for that special someone, you have to ask, have we walked the path where my footprints lay, together before.

The Good Liar. Film Review. full post

(473 words, estimated 1:54 mins reading time)

All My Sons, Theatre Review. The Old Vic, London.

Liverpool Sound and Vision Rating 9/10

Cast: Bill Pullman, Sally Fields, Jenna Coleman, Colin Morgan, Sule Rimi, Gunnar Cauthery, Kayla Meikle, Bessie Carter, Oliver Johnstone, Theo Boyce, Ruth Redman, Russell Wilcox.

For those that seek the truth, the shame of it is that it ends in tragedy. If there is any 20th Century playwright to whom tragedy is a gift that deserves to be exposed into the broad light of day, it is Arthur Miller, an expert who saw the American dream as a symbol, not of goodness and righteousness, but of fear, perhaps corruption, of the willingness to do whatever it took to keep humanity locked in a cycle of calamity, of refusing to see that the recklessness of one simple action would be visited upon our children forever.

All My Sons, Theatre Review. The Old Vic, London. full post

(482 words, estimated 1:56 mins reading time)

Baskerville: A Sherlock Holmes Mystery, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Jay Taylor and Patrick Robinson as Sherlock Holmes and Doctor John Watson in Baskerville: Photograph by Ellie Kurttz.

Cast: Bessie Carter, Edward Harrison, Ryan Pope, Patrick Robinson, Jay Taylor.

There is a demonic howl that punctures the thick Devonshire Fog and finds the way to install the first wave of fear in a man’s heart, the moors have the air of the unnatural and spectral feeling its way like spindly fingers through a solid, almost impenetrable web, the hand upon the shoulder, the heavy, phantom breathing of the curse that has weaved its way into the family history is close by and the eyes start to glow blood red, evil and death locked in its slavering, hungry teeth.

Baskerville: A Sherlock Holmes Mystery, Theatre Review. Playhouse Theatre, Liverpool. full post

(464 words, 1 image, estimated 1:51 mins reading time)

Howards End (2017). Television Review.

Liverpool Sound and Vision Rating * * *

Cast: Hayley Atwell, Matthew Macfadyen, Joe Bannister, Bessie Carter, Philippa Coulthard, Alex Lawther, Donna Banya, Tracey Ullman, Joseph Quinn, Rosalind Eleazer, Yolanda Kettle, Sandra Voe, Miles Jupp, Jonah Hauer-King, Julia Ormond.

 

For all television’s preoccupation with fiction that tries to capture the times in which our great grandparents would have lived through, from the dichotomy of the wonders of invention and adventure in the Victorian era and its more fragile, disgusting more sneering side in which the poor were treated with absolute revulsion and through to the period in which an entire generation were almost wiped out in the horror of the First World War; television in the last few years has done its best to glorify in this time and tried to draw parallels with our own sense of time on the planet.

Howards End (2017). Television Review. full post

(537 words, estimated 2:09 mins reading time)