The mould has been broken, the dominant aspect of Country music in its own backyard taken apart, its historical birthplace, has been, if not smashed, then certainly demolished brick by brick, blade of grass by white picket fence and tales of the homely and beautiful swept aside. It is the mould set out by the American Country genre to which The Shires, Chrissie Rhodes and Ben Earle, have become quite rightly known as the band in which sit up, take notice of and toast as the modern day British saviours of a genre that was wobbling under its own weight across the pond.