Liverpool Sound and Vision Rating * * * *
It can be infuriating when going to the theatre, in any form or of any size, hearing a superb piece of music which captures the play in all its glory and then realising that you will probably never be able to hear it again unless the company get together and try to evoke the feeling that was hopefully felt by all.
Mr. Geraint Williams as Geoffrey Chaucer. Photograph by Ian D. Hall
Liverpool Sound and Vision Rating 9/10
Cast: Geraint Williams, Dominic Davies, Daniel Murphy, Shamus Cooke, Alex Webber-Date, Liam Hale, Trixie Roddick, George Parsons, Angela Hehir, Faisel Yousif, Charles Adey, James Rooney, Lewis Smith, Imogen Wignall, Katie Overbury, Jacob Lowman, Madeline Smart, Johnny Campbell, Charlotte Wilson, George Trier, Darren Begley.
Minstrels: Darren Begley, Alex Cottrell, Sarah Peverley, Maeve Sullivan.
Liverpool Sound and Vision Rating * * * *
Somewhere in the recesses of the mind, creativity can sparkle and take hold of a person. Once there it is near impossible to ever let it go back to being a dormant thought, unspoken and unloved. Even the most uncreative, unquestioning person in the world may find the small nagging voice speak softly but with purpose asking, begging to be set free, to fulfil something other than being an unthinking cog with no shred of inspiration. When the abundance of creativity is given full flow from a set of artists or musicians, the question should be, why might you want to put it away when you can create something rather marvellous?
Liverpool Sound and Vision Rating * * * *
Cast: Charlotte Wilson, Bethany Slinn, Iona Campbell, Bryony Holloway, Geraint Williams, Darren Begley, Jack Conway, Alex Cottrell, Sarah Peverley.
There is always a new way to look at anything in life, it just takes courage, conviction and imagination and as the weather was making its mind on whether to add a little extra spice and atmosphere to the occasion, The University Of Liverpool Drama Society’s interpretation of Christina Rossetti’s Goblin Market was weaving its dark, peculiar spell around a fascinated audience at the Kazimier Gardens ahead of it transferring to this year’s Edinburgh Fringe Festival.