Tag Archives: album review

Rob Clarke and The Wooltones, The World of The Wooltones. Album Review.

Liverpool Sound and Vision Rating * * * *

If you can remember the 60s then as saying goes, you can’t have been there. You can’t have seduced by the sound that ensnared a generation and made the smallest hairs on their arms spring to attention as if a thousand watts of electricity had been pumped through every individual strand. Of course if you were born after the 60s and have had to make do with the stories of those who professed to having been at Candlestick Park, the Isle of Wight and the other hundreds of magic moments in which the 60s music hung round and the highlighted sores on society they captured.

Simon Cousins, Given Songs. Album Review.

Liverpool Sound and Vision Rating 7/10

Music truly is about opening yourself up, like all art it responds to how you feel on the day, what mood you have climbed out of bed in and how that period of darkness has affected you and your thoughts. For Simon Cousins, once of the Wiltshire Folk rock band Ophiuchus and Liverpool’s own The Onset, the mood he must have come to be in whilst recording the tracks on Given Songs must have been somewhere between serene and tranquil with a little nomadic aside into the realms of tender affection.

Little Sparrow, The Wishing Tree. Album Review.

Liverpool Sound and Vision Rating 9/10

Some creatures are more observant than others, be they slight or minute, what they see and reflect upon should still be taken as evidence of their existence and their right to require a voice that should be heard.

The journey through life is full of these voices and in Little Sparrow, music lovers have the chance to fully embrace someone whose observations and musical interpretations are amongst the finest you are likely to hear. The joyful sadness, the stirring, inspirational notes that Little Sparrow brings to her songs is akin to the fruitful day time walk through the woods closest to your home and discovering the world as it should be, bountiful, full of meaning and an exercise in letting go of the despondency which growls and gnaws at the flesh.

Only Child, From Muddy Water To Higher Ground. Album Review.

Liverpool Sound and Vision Rating 9/10

It seems an interminable age since Alan O’ Hare put forward the cause. The imposing marriage between the personal thought and the anger that burns within at the way that the world has taken a sudden turn to an extreme position in that all has been made steadily good now comes crashing down amongst the bitterness of memories. Yet there is hope, there should always be the glimmer of optimism that makes each day worthwhile and keeps the anger tucked up inside just that little bit longer. Such is the power of Alan O’ Hare’s writing under the banner of Only Child that the latest album, From Muddy Water To Higher Ground is just that, the anticipation of seeing your loved one smile whilst raging at the past and the future in the same breathe.

Rita Payne, Stories From a Suitcase. Album Review.

Liverpool Sound and Vision Rating * * * *

Everybody has luggage, some more than most; however it is what you do with it that can define you. The belongings that you carted round with you ten years ago is not the same as you carry round today. The bags may be heavier, that could contain less you imagine when you learn to shed some of the skin that surrounds it and occasionally, just occasionally you might misplace one and let the label fall of and flutter away like a winter bird returning to more northern climes. Regardless of how much luggage you carry, the Stories From a Suitcase will always be there to remind you how far you have travelled.

Nick Magnus, N’Monix. Album Review.

Liverpool Sound and Vision Rating 9/10

Occasionally it’s possible to see greatness flow from one human being to another, to witness first-hand the skill and temperament that one may have in abundance and slowly be taken on by another. Of course some are born with natural ability and their expertise tends to blow people’s minds. Such is the tantalising prospect awaiting any listener who makes a bee-line for Nick Magnus’ new album N’Monix.

The Fast Camels, Deadrooms and Butterfly Dreams. Album Review.

Liverpool Sound and Vision Rating * * * *

In some countries, the possession of a fast camel can lead to untold riches, being lauded in certain circles and the feeling of overwhelming power at the hands of an animal who can outlive a human when lost in the desert. In Glasgow, The Fast Camels are becoming just as lauded, just as hardy and should be just as celebrated as their desert counterparts.

Emma Stevens, Enchanted. Album Review.

Liverpool Sound and Vision Rating 9/10

The amount of depth that is afforded to Emma Stevens, the wisdom in the music that gives a lift to the mood, even when the lyrics betray other sentiments that may in other hands bring the frame of mind down, makes Enchanted a beautiful beast of an album in which to appreciate the delicate bouquet of relished beaming roses.

Marcus Malone, Stand Or Fall. Album Review.

Liverpool Sound and Vision Rating * * * *

Where would existence be without the likes of Marcus Malone popping up on a regular basis through the back drop of life’s sometimes audible eternal howl? It certainly wouldn’t be as interesting nor as musically rich or plush nor as precious in the way that Blues can be.

Marcus Malone lives the Blues, he plays with its concept and gives it an edge in which few dare to follow and is reminiscent of the luxuriant tones that was gifted the young David Coverdale, in short without Marcus Malone appearing somewhere on your playlist of the day, then the 24 hours that separates one midnight to the next may as well be a blur of undisguised bemusement.

Hafdis Huld, Home. Album Review.

Liverpool Sound and Vision Rating * * * *

There are many reasons in which to find yourself as a listener immensely satisfied with exploring the music of Nordic tradition. Whether it is the music from Norway, Sweden, Finland, the exceptional talent of the island race of the Faroe Islands or even Iceland, there is so much beauty contained within the music that it can make a music lover hanker for less intrusive times, times when the narrative was the big sell and the music a picturesque addition, the soundscapes of the sea crashing into the rugged hardy rocks along the shores with a guitar being gently teased in the background.