Tag Archives: Adam Scott

Madame Web. Film Review.

Liverpool Sound and Vision Rating *

Cast: Dakota Johnson, Sydney Sweeney, Isabela Mercad, Celeste O’Connor, Tahir Rahim, Mike Epps, Emma Roberts, Adam Scott, Adam Scott, Kerry Bishé, Zosia Mamet, José Maria Yazpik, Kathy-Ann Hart, Josh Drennen, Yuma Feldman.

Seemingly Sony feel as though every character that has stalked the pages of its Marvel acquisition of Spiderman is worthy of being transferred to the silver screen, and whilst the likes of Venom, and even the upcoming appearance of Kraven The Hunter has been widely applauded, and eagerly awaited, but to delve, to perhaps scrape the barrel of transferring comic creation to cinema, content that nobody was asking for, to put on screen someone who was never more than a bit player and give them the widest possible view above several others more inclined to do the genre justice is arguably one reeking of desperation.

Krampus, Film Review.

Liverpool Sound and Vision Rating * *

Cast: Adam Scott, Toni Collette, David Koechner, Alison Tolman, Conchata Ferrell, Stafania LaVie Owen, Emjay Anthony, Krista Stadler, Mark Atkin, Trevor Bau, Gideon Emery, Maverick Flack, Sophie Gannon, Felicity Hamill.

If only the list that Santa Claus made, dividing the world into who was naughty and who was nice, actually applied to the world of cinema also. If it did that weaving of Christmas spirit and forceful animosity on the theatres of each and every city then perhaps studios might think twice about making such films as Krampus, or at least find way to portray them in a better light.

Black Mass, Film Review. Picturehouse@F.A.C.T., Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Dakota Johnson, Kevin Bacon, Peter Sarsgaard, Jesse Plemons, Rory Cochrane, David Harbour, Adam Scott, Corey Stoll, Julianne Nicholson, Juno Temple, W. Earl Brown, Bill Camp, Mark Mahoney, Brad Carter, Scott Anderson, Lonnie Farmer, Erica McDermott, Owen Burke, Lewis D. Wheeler.

There are films which have the audience hanging on the edge of their seats and usually they are for their sheer scope and vision they offer the cinematic screen. They do not normally have the truth of America’s dirty laundry being aired in public or the realisation that somewhere in the U.K. or any other country the underworld is not just in bed with law and order but the relationship is consensual and without the use of protection.