Tag Archives: Adam Morris

Outnumbered: Christmas Special 2024. Television Review.

Liverpool Sound and Vision Rating * * * *

Cast: Hugh Dennis, Claire Skinner, Tyger Drew-Honey, Ramona Marquez, Daniel Roche, Hattie Morahan, Kerena Jagpal, Aurora Skarli, Mark Silcox, Louis Tyrell, Adam Morris.

Like the family members who drop in unannounced over the festive period, armed with a smile and a carrier bag in which to take home leftover food from the table, television has formed a habit of producing the occasional passing by of a character or a family that the audience once took to their hearts and giving them the briefest glimpse of what they are up to, showing the fan what they look like now in the hope that it may spark some interest in the art of revival.

Drop The Dead Donkey: The Reawakening. Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Susannah Doyle, Robert Duncan, Ingrid Lacey, Neil Pearson, Jeff Rawle, Stephen Tompkinson, Victoria Wicks, Julia Hills, Kerana Jagpal, Claire Louise Amias, Adam Morris, Riya Rajeev.

They argue that you cannot recreate magic, that nothing is truly timeless, and in comedy that is especially true, the lighting that was captured does not stay in the bottle because attitudes to what makes people laugh alters so drastically that it the pressure inside the glass can do nothing but break, and all that remains is a puff, a glimmer of the electrifying pulse that once was seeping out into a world whose view has shifted and the approach of farce is pushed aside in favour of a new regime designed to no make people guffaw and snort wildly but be downcast and dull.

Nolly. Television Drama Review.

Liverpool Sound and Vision Rating 9/10

Cast: Helena Bonham Carter, Con O’Neill, Augustus Prew, Mark Gatiss, Antonia Bernath, Chloe Harris, Lloyd Griffiths, Richard Lintern, Bethany Antonia, Clare Foster, Emily Butcher, Matt Crosby, Emily Langham, Adele Taylor, Adam Morris, Kerry Washington, Sophie Lucas, Philip Gascoyne, Max Brown, Paulo Braghetto, Tim Wallers.

For anybody who had not yet opened their eyes and stared at the fuzzy images of life at a time when even five terrestrial stations seemed excessive, to find out that there were simple homegrown programmes that could command such loyalty of viewers that over 15 million people would tune in and watch convoluted plots and the now famous ‘wonky sets’, they would consider it a preposterous notion, absurd nostalgia that could not be true.