Category Archives: Theatre

Ballad Of The Burning Star, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Nir Paldi, Orian Michaeli, Amy Nostbakken, Seiko Nakazawa, Stefi Sourial, Deborah Pugh, Pete Aves.

The tale of one boy growing up in the settlements of Israel, the history behind his family and the darkness that seeps through like an admission of youthful guilt is introduced not with the fading bell of entropy but with the sound of music, the reckless, wonderfully stirring style of Berlin in the 1920s and with the gaze of the a man pouring into your soul looking for understanding and a sort of forgiveness, not many plays have this at its heart, there is probably no play around that captures the soul in quite the same way as Ballad Of The Burning Star.

Private Peaceful, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Andy Daniel.

How would you spend the final few hours of your life if you had been labelled a coward after a hearing that would have lasted less than an hour, placed in a cell by yourself and far from home? Would you kick and scream, raging against a world that was off kilter to your actions and perception or would you spend it in isolation with your thoughts, all moments of transitory life flashing before you and the memories of happy times keeping you company till the dawn awoke in time to see you die?

Echoes Of The First World War, Theatre And Interactive Review. St George’s Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

The sound of the Last Post forever plays each night as the sun goes down over a French field, paid for by a man who lost his son to a futile, inexcusable war and who signed a parchment called Common Form there by exonerating the Army and The Government for any injuries or deaths that might occur to those too young or seen to be too disabled once they got to the trenches.

Dial M For Murder, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Christopher Timothy, Kelly Hotten, Philip Cairns, Daniel Betts, Robert Perkins.

They say a murder cannot be perfect for somebody will always at least know about it, even if they are the ones who end up dead. However a homicide can be near perfect when presented on stage in the form of Frederick Knott’s outstanding play Dial M For Murder.

Leave Hitler To Me Lad, Theatre Review. Actors Studio, Liverpool.

Liverpool Sound & Vision Rating: * * * *

Cast: Kivan Dene, Leanne Rowley, Rachel O’Hare, James Mountain, Jonah Kensett, Luke Wakeman, Grace Mainon.

It is the early 1950s and the country is still recovering from war. Rock and Roll is making its mark, King George is dead and war torn England is changing. At Great Stony School Essex, young Brian (Jonah Kensett) is waiting for his dad to come and fetch him to take him home, but after watching all of his friends go off to loving new homes, Brian thinks that no one will come, until one day everything changes. Brian says goodbye to his best friends George (Luke Wakeman) and Gladys (Grace Mainon) and heads off to his new life with his sister.

Voices 2, Theatre Review. 81 Renshaw Street, Liverpool.

Liverpool Sound and Vision Rating * * * *

Performers: Paul Taylor, Elaine Stewart, Edwina Lee, Esther Dix, James Bray, Helen Kerr.

Writers: Mark Anthony Rossi, Anthony Ellison, Mary Vigar, Sally Fildes-Moss, Mark Konik, Richard Lyon Conlon.

In September of 2013 Grin Theatre paved the way for a new way of looking at writing and performing in Liverpool with six monologues crafted by writers who weren’t known to the public. These six monologues formed the basis of the first Voices performed at 81 Renshaw Street. If something works as they say, keep going, and Kiefer Williams and Helen Kerr of Grin Theatre have done just that by hosting a very cool night of six different monologues for Voices 2, each individual, each creatively interesting and all carried out by the various performers’ voices with great care and reverence.

Punt And Dennis: Ploughing On Regardless. Comedy Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 7/10

Clever comedy used to be sneered at, it would be seen by some as the preserve of a university system that was, possibly rightly, too elite for many to understand. Perhaps with the great timing that the Cosmos affords us, the only creatures on the planet that deal in time as a concept rather than just the way of marking the difference between night and day or when to mate and eat and die, the 20th Anniversary of the legendary American Bill Hicks’ passing has been more kind to this type of humour.

The 25th Annual Putnam County Spelling Bee, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Maisie Young, Sarah Hale, Sarah Gallegos, Miles Braithwaite, James Markham, Phil Teles Amaro, Abigail Fitzgerald, Michael Bryan, Blair Smith.

If you had not purchased a programme and read for yourselves the biographies of the individuals on the stage, then there will be many gasps of astonishment when you discover that not all the incredible cast are training to be actors. Whilst reading that one is a Pharmacology student and then casting your eye further down the page to discover a Psychology student in amongst the names, you might be forgiven in thinking that this perhaps is just another run of the mill student show.

The Chairs, Theatre Review. St. George’s Hall Concert Room, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Leanne Jones, Paula Stewart, Donna Ray Coleman, Christine Heaney, Laura Hall, Lucy Graham, Dan Pendleton, Jack Spencer, Lee Burnitt, Shaun Roberts, Bradley Thompson, Alex Clark, Tom Nevitt.

 

Tell Tale Theatre have already carved out a growing reputation as a production company that doesn’t adhere to the norm, the cosy or thankfully the easy to do. Their production of Arthur Miller’s The Crucible is a glowing testament to that fact, and where angels fear to tread, where other’s might find the ever growing trickle of sweat just too much to bear, Tell Tale Theatre wrack up the pressure on themselves another notch and produce an amazing piece of choreographed art, full of absurdity, lots of insanity and above all tale of what can happen to us all if left alone in the dark too long.

How To Be Immortal, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: John McKeever, Anna-Helena McLean, Clare Perkins.

In the back of our minds, we all hope, perhaps secretly, that we will be remembered for the good we have bought into the world. Even if by the smallest gesture, the one thing that makes our existence meaningful will somehow transform the way the world is looked at. It need not even be a grand gesture, the erection of a large building and dedicated to all for example but in just the smallest way, the tiniest particle of our humanity passed on might give hope to millions.