Category Archives: Theatre

Girls Don’t Play Guitars, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * * *

Cast: Molly Grace Cutler, Alice McKenna, Sarah Workman, Lisa Wright, Jack Alexander, Tom Connor, Tom Dunlea, Guy Freeman, Jonathan Markwood, Mark Newnham.

A throwaway line caught in the ether, a story that deep down nobody seems to remember and yet it did happen and it is one that rivals any of the stories held up to the legend of Liverpool’s music scene, and one so brilliantly captured and focused upon by playwright Ian Salmon.

Measuring Up, Theatre Review. Everyman Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Mandy Redvers-Rowe, Rachael Townsend.

Music: Craig Gamble.

Writing is often viewed as glamourous, seductive, an enticing call to a place which calls for awards and the possibility of being able to change people’s minds with a series of taps on a keyboard or a deliberated word which strikes the right note. The art of writing the meaningful prose has brought down governments, brought conflict and peace to lands and made a lover’s heart soar; and yet there are those who believe it is the easiest occupation in the world, for they don’t see the agony, the self-doubt, the moments where the words don’t arise and the long labouring battle that arrives unseen as writer’s block sinks the author of sentences into the abyss.

Knee Deep In Promises, Theatre Review. Royal Court Studio, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Lewis Bray, Debbie Brannan, Sharon Byatt.

The sacred act of the promise is such that the one put under pressure to preserve their word can act as a conduit to a breakdown, the silence overwhelming, the bond unfairly skewed in the favour of the one whose secret acts like an infection, mutating, twisting, until it becomes unrecognisable. Not all promises are the same, however, the ones that dig into the psyche, the ones that precede a climatic, even devastating event, are the one that we feel are the ones where no one in the end comes out it with their self-assurance, intact.

Toast, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Giles Cooper, Katy Federman, Blair Plant, Samantha Hopkins, Stefan Edwards, Nicholas McBride, Alice Keedwell.

When we think of the autobiography, we tend to find ourselves in the realm of the adventurer, the sports personality, the political fixer, the musical star and the celebrity gossip; we are looking for a hero, for the individual to whom we might glean the clink of inspiration from in which our lives might not only improve, but in some we can bask in the glow of a reflected glory. However, the guide and influence does not always appear in such profound ways, sometimes it can be as simple as one who found their passion in another sphere, that the life they have led is just as pressured, they just found another way to rise to the top.

Lost Boys, Theatre Review. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Louis Carrington, Floriana Dezou, Faye Donnellan, Tom Isted, Neve Kelman, Alexandre King, Charlie Knowles, Alex Meredith, Eion McKenna, Kwame Owusu, Jenna Sian O’Hara, Sam Ress-Baylis, Daryl Rowlands.

No matter what type of community you grew up in, the large sprawling metropolis, the neatly bordered and hedge-trimmed village or the new town with no discernible history, you either embrace its place in your own story or you run away from it, perhaps through the weight of expectation or because you have seen through its soul and wish to be somewhere else that you can call home. However, the chances are that whatever the place you reside there is a growing feeling of unease, of mounting anxiety amongst the young, and their belief that that they no longer recognise their place in society, or how to fix the despair that comes with toxic masculinity.

Menlove Avenue Murder Mystery, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Paul Duckworth, Pauline Fleming, Gillian Hardie, Michael Peace, Olivia Sloyan, Liam Tobin.

The seductive reasoning of being an armchair detective are honed and always alert, we are spurred in our efforts by the clues and chain of suspicion, and once we have narrowed down the suspects due to our insight and belief, we feel as though we could easily give the likes of Poirot, Morse, Tennison and Vera Stanhope a run for their money and give our friends and neighbours a reason to breathe easy as they drift off to sleep at night.

Scouse Pacific, Theatre Review. Royal Court Theatre, Liverpool. (2019).

Liverpool Sound and Vision Rating 9/10

Cast: Jake Abraham, Jamie Clarke, Guy Freeman, Stephen Fletcher, Lindzi Germain, Abigail Middleton, Mia Molloy, Michael Starke.

Band: Howard Gray, James Bretton, Mike Woodvine, Greg Joy.

Billy Riley is the hero you may not have heard of but because of his ingenuity, his fortitude and love of a fish and chip supper, there is forever a part of the South Pacific that is Scouse, where bananas are abundant, where a certain newspaper gets used for its rightful position as a cleansing aid, and where the descendants of the ship-wrecked, press-ganged mariner burst into song as a right; some enchanted evenings are always worth remembering, especially in Scouse Pacific.

American Idiot, Theatre Review. Playhouse Theatre, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

Cast: Tom Milner, Luke Friend, Sam Lavery, Alexandra Robinson, Christian Tyler Wood, Daniel Law, Glen Adamson, Jennifer Caldwell, Joshua Dowen, Laura Marie Benson, Lucas Rush, Raquel Jones, Rory McGuire, Ross William Wild, Samuel Pope, Shekinah McFarlane, Siobhan O’ Driscoll, Amy Anzel, David Brooks.

Band: Robert Wicks, Chris George, Nick Kent, Charlie Maguire.

Kill A Witch Or Die Trying, Theatre Review. Physical Fest 2019. Unity Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Laura Edwards, Shannon Walbrooke, Emilie Lahouel.

History recalls how the strength of women has been viewed by those with weak minds and suspect agendas, throughout time a woman’s sexuality, her power has been used against her to the point where the most base of accusations have held sway and in the minds of public opinion have condemned her to be branded many names, not least one that holds emotive historical value, that of a witch.

Lost Soul 2: Smigger’s Wrecked Head, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating 9/10

Cast: Jake Abraham, Gemma Brodrick, Lindzi Germain, Catherine Rice, Andrew Schofield, Bobby Schofield, Lenny Wood.

There is a clock that starts ticking in all of us at some point or another, it is inevitable, and it is folly to resist; of course, though it is fun to try. They say that women grow up quicker than men, the responsibility of the world hitting home with such force that the fun that once seemed wicked and alluring, is now but a distant memory, one still remembering the fondness of the late night fondle and chip supper, but now concerned with making sure the family that once played together, stays together.