Category Archives: Theatre

Chicago, Theatre Review. Empire Theatre, Liverpool. 2016.

Liverpool Sound and Vision Rating * * * *

Cast: Sophie Carmen-Jones, Hayley Tamaddon, John Partridge, Jessie Wallace, Francis Foreman, A D Richardson, Emily Warner, Waylon Jacobs, Lindsey Tierney, Ellie Mitchell, Nicola Coates, Francis Dee, Chelsea Labadini, Dann Kharsa, Justin-Lee Jones, Kerry Spark, Peter Nash, Adam Denman, Daniele Arbisi, Helen Siveter.

Breakfast At Tiffany’s, Theatre Review. Haymarket Theatre, London.

Liverpool Sound and Vision Rating * * * *

Cast: Pixie Lott, Matt Barber, Victor McGuire, Katy Allen, Robert Calvert, Naomi Cranston, Charlie De Melo, Tim Francis, Andrew Joshi, Melanie La Barrie, Sevan Stephan, Andy Watkins.

Forget the comfortable situation employed by Hollywood, the sight of Audrey Hepburn and George Peppard turning the pages of a novel upside down so it almost becomes unrecognisable to the readers who made it much loved in the first place. When it comes to bringing a story to life, most of the time the truest form of sincere adaption comes from the theatre and the actors slogging their guts out, feeling the character’s skin and with the chance that that well loved story might turn out to be received as fickle and as erratic as electricity captured in a vacuum.

The Importance Of Being Earnest, Theatre Review. The Black-E, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Geraint R Williams, Cameron Steen, George Trier, Geraldine Moloney Judge, Josephine Dalton, Lily Almond, Vicky Lodge, Nigel Goodwin.

It is all about being true to yourself, even when pretending to be someone else; if you can master that illusion then those around you will only see what you wish them to see, they will see the truth in the elaborate pretence and relish the opportunity to feel the sincere and intense emotions that it brings up; there is nothing better than understanding The Importance of Being Earnest as being part of life’s beautiful farce.

The Dream Team Search For The Sandman, Theatre Review. Royal Court Theatre, Liverpool.

Liverpool Sound and Vision Rating * * * *

Cast: Aaliyah Garrett, Abigail Whiteside, Adam Gannon, Amber Williams, Anna Tremarco, Ashley Kaufman, Charlie Healy, Clara Mbirimi, Elle McEvely, Ellie Hale, Ellie Muscat, Grace Hillier, Harry Hughes, Holly Haines, Isabelle Simpson, Jake Warner, James Douglas, Jennifer Lowe, Joe Fay, John Readle, Jude Stephenson, Katie Kaufman, Kayleigh Lindon, Leah Whiteside, Lewis Jones-Davies, Lillie Jo Irons, Matty McCartney, Michael Ellison, Mikey Hall, Molly Madigan, Morgan Hughes, Natasha Riley, Niamh Fay, Olivia Gore, Passy Douglas, Poppy Cowell, Ryan Broadhead, Shannon Smart, Susan Segar, Tom Douglas.

Cracked Tiles, Theatre Review. Spotlites, Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

Cast: Lorenzo Novani.

Just as other symbols of community seem to be disappearing from our streets and neighbourhoods, the local fish and chip shop is also in danger of becoming an outmoded and obsolete form of kinship that transcended class, age and wealth.

A trip to the chippy was for many the chance to catch upon the gossip and talk of the area, especially if they didn’t want to spend time in the public house, it was the place to eat cheaply but with respect and in the dark days of World War Two it was the only food source that wasn’t rationed. The local fish and chip shop seemed indestructible and yet as Lorenzo Norvani shows in his delightfully poignant production, Cracked Tiles, the days of the community enjoying such a valuable resource are fast approaching a critical juncture.

The South Afreakins, Theatre Review. Spotlites, Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

Cast: Robyn Paterson.

When you don’t feel safe in the area you have lived virtually all your life, do you try to change your location and begin again, be a stranger in another country, or do you try and change yourself, to try and feel the revolution that is going on around you and go with the flow? Either way you might lose something of yourself, something that makes you, you and it is not something you can ever regain.

Brazil, Theatre Review. New Town Theatre. Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating 8.5/10

Cast: Angus Chisholm.

The world is always on the edge of some war, some take over and the only constant in all of these merciless moments is the effect it has on the populace being bombarded and brutalised. The Olympics may dominate the news during this year’s Edinburgh Festival but for one artist, one play, the thought is very much on the use of language, the insanity of war and the apparent safety that might lay in Brazil.

Good Kids: On Tap, Theatre Review. Underbelly Med Quad, Edinburgh Fringe Festival, 2016.

Liverpool Sound & Vision Rating: * * * *

Cast: Tom Dowling, Kieran Ahern.

With over 3,000 shows to choose from at the Edinburgh Festival, it is easy to feel daunted by such variety. Not only does the festival include comedy and theatre it also showcases some of the most varied performers from around the world, from circus acts to physical theatre to opera and the spoken word. Comedy sketch shows are also in abundance and there is one duo who are back for a second year to try their luck at the one of the largest art festivals in the world.

Living A Little, Theatre Review. New Town Theatre, Edinburgh Fringe Festival, 2016.

Liverpool Sound and Vision Rating 9/10

Cast: Paul Thirkell, Finlay Bain, Lauren Jane Sheerman.

When the end of the world comes, you really do have to is start Living a Little, for who knows just what awaits you as the moments tick down, as the warning signs of imminent death come crashing too close to home and the final desperate leap of hope disappears off into the sunset. To do is surely the only sane thing to do in a world that has lost all reason.

Bubble Revolution, Theatre Review. New Town Theatre, Edinburgh Fringe Festival 2016.

Liverpool Sound and Vision Rating * * * *

Cast: Kasia Lech.

The problem with revolutions is that in the chance that they succeed, they will inevitably begin the process of being just a ravenous monster as the regime they swept away in bullets, bombs and prayers. Revolution of any type is fraught with the uncertainty of bread today, jam tomorrow, the mouldy crust the day after that, revolution is weighed down with expectation that cannot be fulfilled but it is nevertheless a state of political ultimatum that should never be ignored.