Category Archives: Live

Graham Nash, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating 9/10

There are few typically warm, lovingly affectionate, and genuinely positive welcomes to the Philharmonic Hall stage as there is joyfully reserved for what could be said to be the elder statesmen and women of the music world. The ones to whom kick started off the whole love affair with British pop music, to the ones who found fame not once, but over the course of different bands and outings, who made the crowd sing along to the best known, and sometimes more obscure, songs, the heroes of the 60s have always held a special place in the hearts of music lovers.

Graham Nash, Gig Review. Philharmonic Hall, Liverpool. full post

(479 words, estimated 1:55 mins reading time)

Roger Waters, Gig Review. Echo Arena, Liverpool. (2018).

Liverpool Sound and Vision Rating * * * * *

The air and atmosphere inside the Echo Arena was still, a feeling arguably of the uncertainty of time in which the overbearingly hot, sweat-filled and almost distaste of a lack of summer breeze coming off the Mersey, ran riot with the emotions of the thousands who were there, milling around, some hand in hand, others clutching the only means of cooling down they could find, a full circle reached, in a way that only Roger Waters perhaps could achieve.

Roger Waters, Gig Review. Echo Arena, Liverpool. (2018). full post

(649 words, estimated 2:36 mins reading time)

Maddie Stenberg, Gig Review. Zanzibar, Liverpool.

Liverpool Sound and Vision Rating 9/10

When the bell tolls, the lightning strikes and the thunder finds a way to roll across the landscape and leave the witness in awe at the sunshine and the dripping sweat of Earth that will inevitably follow afterwards, it is always good to know that your gut instincts were right, that those who follow the artist through the rain and the youthful poise, will bask in the radiance that takes them onwards, that they will become the rainbow that heralds a music dawn.

Maddie Stenberg, Gig Review. Zanzibar, Liverpool. full post

(436 words, estimated 1:45 mins reading time)

Gunmen Of The Apocalypse, Gig Review. Zanzibar, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

The ashes of many a phoenix has been blown and scattered to the four winds, the dust getting in the music lover’s eye and causing the bitter sting of regret and unfulfilled potential; to many a phoenix, the fire was not enough to resurrect them, the burning flame that catches the soul and gives it new life, simply went cold, started to fade and those ashes, they became another memory of what was, a golden bird in flight.

Gunmen Of The Apocalypse, Gig Review. Zanzibar, Liverpool. full post

(448 words, estimated 1:48 mins reading time)

Limerance, Gig Review. Zanzibar, Liverpool.

Liverpool Sound and Vision Rating 8.5/10

It is perhaps the act of melodrama, the memory of what has passed in the spaces we call, home, work and the venues we have held close to our hearts when the love of art and the artistic comes calling, but to feel the shiver of the beautiful instruction of the haunting vibe, that is perhaps a moment in which to savour, in which to pursue the past and implore it to be part of the future, that is the basis in which love takes root.

Limerance, Gig Review. Zanzibar, Liverpool. full post

(394 words, estimated 1:35 mins reading time)

Southbound Attic Band, Gig Review. Constellations, Liverpool, Liverpool Calling 2018.

Liverpool Sound and Vision Rating 9/10

Southbound Attic Band, Constellations, Liverpool. June 2018. Photograph by Ian D. Hall.

The Southbound Attic Band may have recently given the people of London a run for their money with a deserved display of Merseyside passion, they may have taken on what may seem like to be the world, its wife and those to whom have not had the pleasure of their company in the past, but where do you go from there, for the pleasure of their company and the wonderful outlook of the true-life observational lyric, it is to know that Ronnie Clark and Barry Jones will always stay humble, will always be the epitome of the honest raised eyebrow and have the wit of a thousand people chugging through their hearts.

Southbound Attic Band, Gig Review. Constellations, Liverpool, Liverpool Calling 2018. full post

(481 words, 1 image, estimated 1:55 mins reading time)

Thom Morecroft, Gig Review. Constellations, Liverpool. Liverpool Calling 2018.

Liverpool Sound and Vision Rating 8.5/10

Thom Morecroft at Liverpool Calling 2018. Photograph by Ian D. Hall.

Life is busy, we have made it our mission it seems to fill the hours in such a way that to sit still for a while and take in the sound of a local great might raise a few eyebrows on the faces of those who believe we should always be expending energy; that you are not actually being productive if you not moving a muscle.

Thom Morecroft, Gig Review. Constellations, Liverpool. Liverpool Calling 2018. full post

(427 words, 1 image, estimated 1:42 mins reading time)

Michael Bennett, Gig Review. Constellations, Liverpool. Liverpool Calling 2018.

Liverpool Sound and Vision Rating 8.5/10

Michael Bennett at Constellations, Liverpool. Photograph by Ian D. Hall.

It seems only right after all that the velvet tones of Michael Bennett should be on show at some point during this year’s Liverpool Calling, a weekend of music held across several venues and with even greater scope than perhaps had been imagined when the team behind the festival started out. What has always been a certain fact though is just how good Mr. Bennett has become over the years, the sound of velvet doesn’t come by accident, it takes dedication and hard work, the muster of any serious and patient performer.

Michael Bennett, Gig Review. Constellations, Liverpool. Liverpool Calling 2018. full post

(435 words, 1 image, estimated 1:44 mins reading time)

Billy Joel, Gig Review. Old Trafford, Manchester.

Liverpool Sound and Vision Rating * * * * *

In the self-styled Theatre of Dreams, it is perhaps fitting that one American music legend can turn up to Old Trafford football ground, and with great artistic tongue in cheek, play to the local crowd’s hearts by performing the opening segments to the local anthem of the Stretford End faithful before hitting home with a set list that won’t be heard anywhere else in the country this year.

Billy Joel, Gig Review. Old Trafford, Manchester. full post

(518 words, estimated 2:04 mins reading time)

Travis, Gig Review. Philharmonic Hall, Liverpool.

Liverpool Sound and Vision Rating * * * * *

The mid to late 90s British music scene will perhaps always be dominated by the thought of a collection of bands to whom the world, in one way or another, idolised, venerated and almost single-handedly took all the glory, all the passion and much of the energy that would have been arguably better suited to groups, artists and song writers to whom deserved it so much more. The Man Who would, the woman who could, have served the attentions of the public better because there was nothing more than splendour in their music, no egos, no bitterness, just a serenade that was inclusive and deeply, melancholic, melody driven, assuredly beautiful.

Travis, Gig Review. Philharmonic Hall, Liverpool. full post

(438 words, estimated 1:45 mins reading time)