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Jurassic World: Dominion. Film Review.

Liverpool Sound and Vision Rating * * * *

Cast: Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, Dewanda Wise, Mamoudou Athie, Isabella Sermon, Campbell Scott, BD Wong, Omar Sy, Justice Smith, Daniella Pineda, Scott Haze, Dichen Lachman, Kristoffer Polaha, Caleb Hearon, Freya Parker, Alexander Owen, Ahir Shah, Elva Trill, Teresa Cendon-Garcia, Manuela Mora, Bastian Antonio Fuentes, Jasmine Chiu, Varada Sethu, Ben Ashenden, Enzo Squillino Jr., Glynis Davies, Mo Brings Plenty, Emilie Jumeaux, Aisling Sharkey, Joel Eiferink. 

Black Star Riders: Wrong Side Of Paradise. Album Review.

Liverpool Sound and Vision Rating 9/10

The world we know is crumbling, and whilst that may be a scenario, a reality in which many will find scary, daunting to contemplate, a measure of the forbidden exercise in relinquishing control, what lays beyond the so-called Wrong Side Of Paradise is not the Hell that Milton warned of, but perhaps the realisation that nothing can be as bad, as desperate, or as incendiary as what we refuse to see as our own inferno.

Paul Carrack & The SWR Big Band: Don’t Wait Too Long. Album Review.

Liverpool Sound and Vision Rating 8.5/10

Timing is everything in life; you can be the finest example of what you do, but if you mistime the moment then it is to be argued that the opportunity to leave your name etched in stone will be lost, and sand might be the only place in which your epitaph will appear.

Knowing the right moment is key, Don’t Wait Too Long to show the world just exactly how your thoughts, imagination and dreams have combined to spark something beautiful, something everlasting, a piece of art that is not only cool, but considered, full of emotional drama, a moment of fierce belief wrapped in the calm understanding of having struck a home run in front of a cheering crowd when the chips looked down.

Elijah James And The Nightmares: Man In The Diner. Single Review.

Liverpool Sound and Vision Rating * * * * *

The Nighthawks await, silent, unmoving, an Edward Hopper painting capturing the solitude of modern life in the twilight and given a 21st Century aural theme, that is the sheer depth of illumination to be found as the listener is introduced to the Man In The Diner by Elijah James And The Nightmares; the difference being as Hopper’s painting has gained importance for its stagnation in the past, whilst still being hugely relevant, what the band implores is life, existence beyond the one dimensional, and in full glorious colour the man alone in the diner becomes all too real – he becomes the embodiment of us.

UFO: No Heavy Petting. Album Review. (Reissue 2023).

Liverpool Sound and Vision Rating 9/10

No Heavy Petting, but surely a deep embrace for old times, a sweeping kiss gently placed on the brow, and the firm handshake of recognition that accompanies the hearty grin; a rerelease, expanded, given even more oomph, and one that places UFO in the realm of best heavy rock/ proto metal bands of all time.

Sam Brown: Number 8. Album Review.

Liverpool Sound and Vision Rating * * * *

When a voice goes, we perhaps dismiss the person to whom it belongs. We might not purposely ignore the human being to whom the words have failed, but we certainly find a way to cast their whole being into a kind of purgatory, a lost and found for the once held in virtue.

Such an action says more about us as a society than it will ever do about the individual; we are not only quick to judge, but we are complicit in keeping the person, the artist, the voice lacking strength but not integrity, quiet.

Gareth Heesom: Ever See. Single Review.

Liverpool Sound and Vision Rating 9/10

All that you ever saw, all that was lost to time as memories jostle for attention like moths dancing awkwardly around an orange light, some who have their wings singed as they fluttered greedily towards the light, some that find they can only catch the light on occasion as they slowly begin to fade and become forgotten in the dark…all that you will Ever See, is what remains when love and time collide to create the art we hold close to our hearts.

The Classic Rock Show. Philharmonic Hall, Liverpool. Gig Review.

Liverpool Sound and Vision Rating 9/10

For many the sound of various anthems, hits, and obscurities that came their way via the beauty and inner workings of the local pub juke box, was an introduction to a memory that would inspire, stimulate, move and arouse in equal measure, and be the backdrop to the days when the world was cast in shadow; it only takes a line, a moment on the drums, a scintillating vocal, that guitar – that instrument of expression which to many a rock sound would simply not exist, for the world to make sense.

Quarry: Positioning The Sun. Album Review.

Liverpool Sound and Vision Rating * * * *

No matter where we find the best place to be seen Positioning The Sun, we must make sure that the no shadows can be observed spoiling the view; they can enhance it, add a flavour, texture, a sense of the dramatic and illusion, but the view must never be soiled for the want of darkness in the wrong and unwanted place.

John Jenkins And The James Street Band, Trying My Best (To Get Away From You). Single Review.

Liverpool Sound and Vision Rating * * * * *

When we find that moment of pure genius, we should embrace it fully and without reservation.

We can fully understand what it is like to be on the cusp of outrageous brilliance, and even seeing genius in someone else is never beyond our grasp; but when it comes our own way, when the parade of virtuoso performance is acknowledged as coming from our own endeavours, we may be reluctant to nod in approval for fear of being appraised as arrogant, over confident that the feeling captured will last an eternity; instead we should thank the stars and shout with damnation at the negative emotions, “Trying My Best (To Get Away From You)”.