Connor Selby. (Self-Titled) Album Review. Deluxe Edition.

Liverpool Sound and Vision Rating * * * * *

What makes a self-titled release at times have more impact than almost any other record and album, almost nowhere else in the field of art has such influence or impression of name, and in even an autobiography there is always a tag line a : or – separating the appellation from its subject; but in music the impact is clear, this is a statement beyond reproach, this is a declaration of effect and power. For Connor Selby, the deluxe edition of the album bearing is name is unabashed, inspiration, and stimulating authority…why would you not insist on having your name on the sleeve when something so incredible has your heart and soul deep within its very existence.

There is no need for separation of spirit within this magnificent assent of the Blues, a musician who has been guided spiritually by the likes of Joe Bonamassa and Beth Hart needs nothing more than to remain true to themselves, and it shows with relish, charm, and muscle throughout this epically charged release.

With four brand new bonus tracks adding a rippling extra sense of clout to the already dynamic of rule encased, Connor Selby’s drawing on the emotions of openness, raw anxiety, and melancholic vulnerability is seismic, it is in a class of Blues that two decades ago could not have been imagined without Joe Bonamassa reinvigorating what many concede was a dying genre.

To have the confidence in the self-titled offering is to be seen as offering the whole package, no need to hide behind a suitable title, for this is more than record, this is a statement, and as standard bearers such as Falling In Love Again, Emily, Show Me A Sign, The Man I Ought To Be, join forces with the bonus tracks I Shouldn’t Care, Love Letter To The Blues, My Baby Don’t Dig Me, and The Deep End, Connor Selby is to be congratulated on tenaciously holding on to his spirit, his value, and his drive in creating such a piece of art worthy of his name.

The next generation of British Blues, following on in sublime manner from the likes of Joanne Shaw Taylor, is assured. Connor Selby is a name to reckon with.

Connor Selby’s self-titled release is available from March 3rd via Provogue.

Ian D. Hall